Study On The Interior Furnishings Of Jiangnan Garden Architecture In Ming And Qing Dynasties

This paper is intended to make a systematic study of the art of garden furnishing in jiangnan.Jiangnan area has been a place of economic and cultural prosperity since ancient times.With its superior geographical position,the garden culture in jiangnan of the Ming and qing dynasties has made outstanding artistic achievements in the country and even the world.However,there are only a few studies on the indoor furnishings most closely related to the daily life of literati in the Ming and qing dynasties.Most of them are scattered in the works of various classic works.This topic is to explore the indoor furnishings of literati gardens in the south of the Yangtze river in the Ming and qing dynasties from the perspective of historical dynamic development.Firstly,the paper elaborates the research background,purpose and significance of interior furnishing art of jiangnan garden architecture,and leads to the thinking of interior furnishing of garden architecture.Literature analysis and field investigation are adopted to describe the current situation of interior furnishing of jiangnan garden.Furthermore,starting from the jiangnan garden architecture,the paper introduces the indoor space type and the general situation of furnishings,and describes the garden furnishings in detail.Then,from the description of phenomena to summarize characteristics of garden building indoor display mode,are summarized mainly wrote from macro to micro space layout to the layout of the small display unit,from the Angle of history,this paper expounds the position of the display performance rules,and then talk about landscape architecture with special significance function of indoor display and display of artistic style;Then from the summary of the characteristics of the formation of thinking analysis,mainly on the Ming and qing dynasties jiangnan garden interior furnishing design concept was elaborated.Then,the paper expounds the formation reasons of the design concept and expression method:the design concept is a comprehensive metaphysical thinking of the aesthetic commonality of The Times,closely related to the specific economic and cultural background of Chinese tradition,which is mainly manifested as the simple creation concept applied in the world,the generous and capricious life view,the aesthetic taste of the way carried by the implement,the ingenious creation of the square with the music,and the design concept of the unity of nature and man under the influence of Chinese natural philosophy.This paper traces the causes of the interior decoration of gardens in the south of the Yangtze river in the Ming and qing dynasties from the aspects of the traditional social production mode in the south of the Yangtze river,the promotion of the literati to the garden and the art of decoration,the traditional customs and habits in the south of the Yangtze river,the philosophy and religion,and the influence of the special aesthetic conception in the gardens.Finally,the interior furnishings of folk houses in the same area in the south of the Yangtze river are compared horizontally with those in the gardens.The representative space of gardens and folk houses is selected for the comparison of furnishings.It is concluded that the interior furnishings of garden buildings in the south of the Yangtze river in the Ming and qing dynasties are mainly different in material aspects,such as architectural layout.The same lifestyle leads to the same material needs for life.