"Between True And False":the Study Of Traditional Garden Rockery And Landscape Paintings Using My Landscape Painting Series As An Example

Landscape architecture and landscape painting art both belong to China's"landscape worship" culture.Landscape architecture has gradually developed with the emergence of landscape painting,and especially the art of stacking mountains has made great progress.The theory of landscape painting provides theoretical guidance for the gardening and stacking of mountains,and the landscape painting scroll provides a blueprint for it.The participation of landscape painters makes the gardening and stacking mountains mature rapidly.The maturity of gardening and stacking mountains has in turn promoted the development of landscape painting.From ancient times to the present,painters have been keen to describe gardens.Scenes such as "Taiwan" and"Small Bamboo and Stone Scenery" peculiar to the garden frequently appear in the painting;In each historical period,the layout of the garden is different,and then the landscape painting layout depicting the garden and the proportion of natural scenery in the painting are also different;Even the emergence and prosperity of the "Nickname Garden" also contributed to the creation of a type of "Nickname Picture" works in landscape paintings,which used literati and private gardens with the same number as the literati.Contemporary traditional gardens have become monuments and tourist attractions.People no longer live in the gardens.Their perception of the gardens and the way they describe them are different from those of the ancients,resulting in a batch of brand new landscape paintings.section.The author studies and collates the historical intersection and mutual influence of gardens and landscape paintings,and on this basis,with his own unique feelings and pen and ink,the pure land and fantasy garden in his heart are expressed as images.