| Aesthetics plays an important role in the discipline of landscape architecture.People’s aesthetic preference for landscape often affects the features and evolution of landscape.Productive landscape,the corresponding spatial change formed by the action of human production practice in the natural environment,is not the aesthetic carrier of conscious creation of the aesthetic subject,but also influenced by the aesthetic experience of the producer,which has the value of aesthetic research.The productive landscape is the real hotbed of garden germination,and production has been accompanied by the development of landscape architecture.But up to now,the practical value of landscape has been gradually ignored.The design of "aestheticism" is overwhelming,and few people pay attention to the production of landscape.However,the environmental problems such as food safety and resource shortage force people to focus on the production problem again.How to solve the urban problem by landscape means has become the focus of landscape architects.Therefore,the research of productive landscape is very necessary for the future development of landscape architecture.From the perspective of landscape architecture discipline,this study borrows the relevant theories and research framework of aesthetics,and reduces it to the theoretical range of landscape aesthetics according to the characteristics of productive landscape,and arranges the aesthetic system applicable to the research of productive landscape,aiming to expose the aesthetic characteristics of productive landscape.Specifically,this study divides productive landscape into agricultural landscape,industrial landscape and new energy landscape,and analyzes the formation process and landscape spatial characteristics one by one to summarize the aesthetic characteristics of all kinds of landscape.In view of the most important research on the sense of form in aesthetics,this paper,with the help of the theoretical system of productivity and production relations in Marxist economics,discusses the evolution law of the productive landscape in the external form and the corresponding natural and human driving forces,so as to grasp the process and trend of landscape evolution more accurately.Finally,the article also discusses the influence of the aesthetic characteristics of productive landscape on the relevant aesthetic consciousness of human beings and the phased achievements,so as to explore the long-term development of the aesthetic value of productive landscape,which is based on three aspects: the artistic works with the theme of productive landscape,the extraction and transformation of the relevant elements of productive landscape and the era value of productive landscape.In this study,literature resources such as historical books,remote sensing maps and photographic works are extracted and sorted out by means of literature research and field investigation,and spatial and aesthetic characteristics of various landscapes are summarized through image analysis and logical integration,and the evolution law of productive landscapes is analyzed in combination with the theoretical system and research methods of geography,economics and other disciplines.The main conclusions of the study are as follows:(1)the aesthetic characteristics of productive landscape are closely related to the types of production,the natural beauty of agricultural landscape is the strongest,showing beautiful characteristics,the industrial landscape is more inclined to social beauty and rhythmic beauty,while the new energy landscape has the characteristics of science and technology beauty and magnificence;(2)the forms of productive landscape are influenced by both production and aesthetics;(3)The aesthetic characteristics of productive landscape play an important role in human aesthetic consciousness and environmental construction concept.Therefore,productive landscape is the balance and unity of landscape practical value and aesthetic value,which should be highly valued and continuously developed by landscape architecture discipline. |