| Traditional villages have paid a large price in the transformation and development of modernization.The 19 th National Congress of the Communist Party of China provides important guidelines for rural development in the new era,pointing out that rural development implements the strategy of rural revitalization.The revitalization of the countryside is a gradual development process.Sociologists,artists,local experts,and other experts from all walks of life have also invested in rural construction projects.Various projects on the construction of artistic townships are also in full swing.Attention,let the traditional village have the opportunity to reproduce the prosperity of the past.In this study,art intervention in rural landscape environment is the research object.By briefly sorting out the development process and characteristics of rural construction at home and abroad,the meaning of art intervention in the "interventional art" genre is traced.Difference.Through field research on the birthplace of China’s beautiful countryside and the "Two Mountains Theory"-Zhejiang,Anjiyu Village and Fuyang Wencun,we can learn about the current situation of the development of rural construction in the new era and the practice of artists in the landscape environment in the construction of a beautiful village.Sex,so as to further understand the four elements of art intervention-artists,works,viewers and venues and the three basic practice models of art intervention in the country.Through the above basic research,further explore how art is reflected in the rural landscape environment under the background of rural revitalization.After analyzing the current situation and feasibility of art turning to the countryside,the specific form factors of art intervention in the rural landscape environment are classified from a typological perspective,and summarized as "source"-the extraction of rural raw material information,and "sink"-the production of rural site products Output and "field"-to create the presence of rural space,analyze the relevance and combination of these three elements in the practice of artistic intervention in rural landscape.Furthermore,using case analysis methods to study the specific practice path of artistic intervention in the rural landscape environment,I realized that the lack of presence mode 1 "source" → "hui" is the artist’s forced intervention in the countryside from the outside;mode 2 "source" + "Hui" → "Presence" is the "source" provided by the rural landscape environment,the artists create "Hui",the two organically combine to convey the spirit of the place,and urge the rural applicable people to get a sense of belonging;mode three "source" + "presence" "→" Hui "pays more attention to the geographical environment and field spirit and hopes that viewers can integrate into the scene to participate in art practice;art intervenes in the landscape environment mode four" source "+" field "→" presence "+" hui "requires the artist to continue The accumulation of sexual creation is in harmony with the villagers,and the role of local governments in this is also very important.The final article combined with the previous research results,visited Magang Village on the spot,investigated and analyzed the current situation,and explored the specific performance of artistic practice in the landscape environment of Magang Village through the "source" "sink" and "field" organizational structures and practice paths.The specific artistic strategies are put forward from the perspective of rural visual image,interface color,regional culture and important nodes in the landscape environment,in order to reshape the hometown of charm.This study provides artistic practice suggestions for the traditional villages in the Jianghuai region in the process of rural revitalization and development,and provides relevant guidance for the revival of the same type of villages,with a view to contributing to the protection and development of traditional villages in the Jianghuai region. |
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