The Study Of Cantonese Music New Works Of Enthusiast From The Perspective Of Semiotics

Cantonese music also called Guangdong music,as a kind of special music in south of the Five Ridges,has an important role in the cultural development of Guangzhou.Cantonese music "the amateur enthusiast" Cantonese music lovers,fancier,fans,they have the same interest,like-minded,at a fixed time to organize music clubs or family members play Cantonese music,thus forming a "private partnership council"."Si Huo Ju" in the enthusiast is a very important carrier in Cantonese music transmission process,and the newly created works of Cantonese music of enthusiast is Cantonese music can keep the innovation and development of the security.No innovation,no development,if Cantonese music completely lost the power of innovation,but only satisfied for traditional music.No innovation,no development,if Cantonese music completely lost the power of innovation,but merely to the traditional repertoire,so Cantonese music will become the source of water,losing power development.To the path of practice a semiotic theory on ethnic folk music,the author use the symbol theory research of folk of Cantonese music internationally new creation of Cantonese music works,in order to explore the masses of Cantonese music aesthetic trend.This study from the semiotic perspective,first of all,of Cantonese music internationally Lu Guoyao himself and his works were introduced,and symbol of science the development venation of the theory to sort out and find semiotics for interpretation of Cantonese music of the new opportunity.Secondly,from the new work of the syntactic,semantic,pragmatic,the three aspects of the full interpretation of the significance of cantonese music new works of enthusiast,thus highlighting the importance of new works.Syntactic analysis includes the music language,music structure,and other factors such as speed;In the analysis of the semantic,the simulation of the natural sound,the description of the natural landscape,the mapping of the emotion and emotion,and the expression of the local feelings are analyzed;In the pragmatic analysis,the author examines the relationship between the symbol and the symbol,the role and status of the new works in the social context.