A Cross-regional Study On The Differences In Aesthetic Orientation Among Guangdong Folk Music Group

Cantonese Music folk association is a very important carrier in the process of Cantonese Music inheritance and an important guarantee for trans-regional Cantonese Music players to keep playing freely.However,there are great differences in the performance of Cantonese Music folk societies in different regions.What elements do the aesthetic differences of Cantonese Music performance in different regional folk societies contain? What is the internal relationship between the region and the aesthetic orientation of Cantonese Music performance in the folk society? Therefore,this paper focuses on the performance of Cantonese Music folk associations in different regions in order to seek a new breakthrough for the sustainable development of Cantonese Music.This study is divided into the following three parts.First of all,this paper uses the theory of cultural diffusion to deeply analyze how Cantonese Music took root in other places and the role of folk organizations in the process of Cantonese Music diffusion.Through the analysis of the diffusion process of Cantonese Music culture,it can be found that there are various diffusion modes of Cantonese Music culture from its source to other places,including migration diffusion,infection diffusion,stimulation diffusion,etc.With the increasing number of Cantonese Music lovers in other places,Cantonese Music folk associations were formed.Secondly,the second part of this paper compares and analyzes the aesthetic differences between local and foreign Cantonese music clubs in playing Cantonese music.The differences are mainly reflected in the following aspects: First,from the aspect of musical instrument selection,the local Cantonese Music Club shows a preference for western instruments and other ethnic instruments,while the local Cantonese Music club puts the traditional "five sets of heads" and "seven sets of heads" in an important position.Second,in terms of the use of music,local people prefer to leave music and devote themselves to the performance.And other places are more like to see the music playing when the norm;Third,in terms of playing techniques,the local Cantonese Music club is more flexible,while the local Cantonese Music club is more introverted.Finally,this paper analyzes the reasons for the differences in the aesthetic orientation of Cantonese Music community.There are three reasons for the difference: first,the geographical environment of the north and south;Second,the cultural and political backgrounds of the north and south are different;Third,the purpose of playing Cantonese music in the north and south is different.To sum up,through the comparison of the aesthetic orientation of cross-regional Cantonese music societies,we can see the development trend of Cantonese music in different Spaces more deeply.