Glazunov E Flat Major Concerto Creative Features Saxophone And Playing Interpretation

Saxophone into China can not be verified its time, probably in the early twentieth century. Relative to those with a history of several hundred years of Western musical instruments, saxophone regarded as younger members. This seamless connection between both voices will be between woodwind and brass instruments, stringed instruments and can stick in the color of love and compatibility through a unique musical instrument, in the nineteenth century, sought after by everyone.In classical music, saxophone figure can be seen everywhere. From the beginning of the French composer Berlioz saxophone creation of "hymn" to Debussy ensemble of saxophone and orchestra created "carnival song," Yi Beier creation of "indoor Concertino" and then to Russia orchestral composer Mussorgsky "pictures at an Exhibition" and other works, the skill and expressive playing saxophone in a step by step toward the peak. Founded in 1934 under the "Saxophone Concerto in E flat major," is the last of a large-scale orchestral works Glazunov in his old age, and this works in the tower master of polyphony pinching Aliyev guidance to improve counterpoint creative techniques, fully demonstrated when the rule of Emperor dissatisfaction and composer living misfortune, this is Glazunov in his later years writing style.Musicologist on analysis of Glazunov "E-flat Saxophone Concerto" Interpretation of Creative Characteristics and Playing still relatively weak, the majority of studies also just stay at the level of text analysis, there is no experience of the specific performance and interpretation of the text I want to combine. This article focused on "E-flat saxophone concerto" creative light of its own characteristics and actual playing experience, in-depth research into the theory of perspective between specific musical works and sound characteristics are discussed. Author in the actual playing constantly enrich and refine theoretical results and guidance for further theoretical performance practice. This process greatly enriched the musical works of the author for the profound insight, but also enhance the performance of works at the spiritual realm. This paper hopes to be able to work for saxophone and playing theoretical analysis of certain contributions.