The Research On Images Of Expression Of Tibetan Ethnographic

An ethnographic documentary showing the image and sound of the real life of ethnic culture is a kind of image art creation based on the production and life of the local ethnic groups,and it is also a method of recording the field of anthropological research.As a kind of artificial product with individual thinking and aesthetic taste,the ethnographic documentary is the result of the fragmented ethnic life recorded by the producer through the camera and the reconstruction by using image description rules.There have been a number of ethnographic documentaries focusing on the survival state of Tibet in China.Increasingly,it has formed a kind of view of the time and space of Tibet with its unique aesthetic perspective.Along with the development of modern science and technology and the improvement of living conditions,the diversity of the living conditions of the Tibetan nationality makes the image of Tibetan art creation also show a diversified trend.A variety of record subjects and record forms enrich people's cultural life and the evolution of the mass media has changed the way people appreciate traditional art.Documentary aesthetics has a record about the life of the Tibetan people with tangible images in the Tibetan documentary,which brings the audience a distant and unfamiliar visual experience of Tibet,allows the audience to appreciate Tibetan people's yearning of survival and life,and captures the spatial texture of Tibetan culture.The details in the lens highlight the life experience of the individual in Tibet.The main part of this paper is from the second to the fourth chapters.According to the arrangement of these three chapters,on one hand,the development of ethnographic images of Tibetan nationality is explored and the creation and development of the Tibetan ethnographic documentary are discussed successively from the historical perspective.On the other hand,a brief review of literature review and historical context of the visual image of Tibetan ethnography are made from the synchronic perspective.Based on the relevant theory of documentary aesthetics,the living conditions of the Tibetan people in the major films of Tibetan film directors are tracked from the perspective of image representation and oral narrative.On the basis of the relevant theories of documentary research and ethnographic theory,combined with the contemporary and slightly representative documentary of Tibetan nationality,based on the simplicity and authenticity of documentary,by taking analysis method of oral history as the main body of opinion and intention,the creative features and the standpoint of the research on the documentary of the Tibetan nationality from the perspective of the historical analysis are discussed.