A Comparative Study Of Representation Of The Sutra Of Contemplation On Infinite Life Buddha In The Dunhuang And Chongqing Dazu Rock Cave In The Tang And Song Dynasties

According to the view of “ Representation of the Sutra of Contemplation onInfinite Life Buddha ”,it is one of the popular themes of Buddhist classics.There are a lot of Dunhuang Cave in view of the change,each exquisite beyond compare.Dazu Rock Cave of Beishan 245 th niches and Baodingshan No.18 niches in view of amitayus Sutra is disguised in Tang and Song dynasties in Sichuan area by the view on behalf of shrines,with its unique theme and statues,has attracted the attention of academia,research achievements.Frist,the paper mainly talking about the Dunhuang area “Representation of the Sutra of Contemplation on Infinite Life Buddha” and “no reason on the background of life”of the popular Buddhist scriptures,that view Sutra is widely popular in the early period of the Tang Dynasty has become the trend and concept of the good guide in the idea of “Amitabha method" in the sea of samadhi merit ”,“the concept of the faith” to let the world accept more explanation;secondly,as part of the Grottoes in Dunhuang Cave in the “concept of the” same “concept of the two groups of Dazu Cave” has a lot of comparable,so part of the grotto image analysis.Second,it’s mainly summarizes the Dazu Rock Cave in Beishan 245 th niches and Baodingshan No.18 niches of the concept of the basic situation in disguise,analysis of the construction background,the concept of the Dazu that disguise is mainly influenced by Buddhism and Sichuan Buddhism of the northwest.Next,the author compares the changes of the two groups of Dazu and Dunhuang Cave in the same period.Mainly from the micro and macro aspects,in view of the macro aspects of both the composition,content layout,carving techniques and other aspects of mutual contact;micro aspects of both in secular men and women style flying Pureland etc.are very different,the Dazu concept of the sixteen change in the concept of image is no longer the wete hope lady as the protagonist,but joined the maid,generals,nuns and other image,is a symbol of Buddhism secularization.Next,the paper is mainly on Baodingshan No.18 in the “niche advised to repeat the Amitabha monument” carries on the analysis,it is the transformation of the original Buddhist scriptures,and into the actual situation in the.It is mainly used toexplain the “Representation of the Sutra of Contemplation on Infinite Life Buddha”,and explain the sixteen auxiliary niches in the view of language.Therefore,it is thought that the monument symbolizes the sinicization and nationalization of buddhism.In the end,the paper was based on the previous studies,the medieval Sichuan and Dunhuang cultural exchange,the style of image powder spread and influence and put forward some ideas,think of Beishan 245 niches and Baodingshan No.18 has obvious Sichuan characteristics,but integrated into the Dunhuang region and the Central Plains region of the theme,the theme and the content sixteen,shapes,visualizations,and other content between the two groups of his statues is valuable for research on medieval Dunhuang and Sichuan area,especially in 245 niches,from the form and content,and the concept of the Dunhuang Grottoes is a reflection of the similar variable,friendly exchanges between Dunhuang and the history of the Sichuan region,the other is to see exchange between Sichuan and Dunhuang in the middle ages.