The Generation And Performance Study Of Vimalakirti Sutra Frescoes Of Mogao Grotto At Dunhuang

There are eight versions of Vimalakirtinrdesa sutra with historical record,at present,the most popular is Kumarjiva translated version.Because Chinese culture had been highly developed,so since the introduction of Buddhism into china and sincize it.Vimalakirtinirti reached the apex.In the Sui Dynasty,it is closely related to Metaphysics,beilief of Vimalakirti.Open directly a new era of disguised rendering and the best.Vimalakirti Sutra aka Vimalakirti said the,unbelievable,the method of liberation and non fouling said said no scale called the historical records,a total of eight versions,the existing Zhiqian Buddhist Vimalakirti Sutra Buddha said,Vimalakirti by Kumarajiva translation say Yi Jing and Translation said without scale called the three,among which the most popular versions of Kumarajiva,Vimalakirti statues and weimojie disguised is the classic of religious practice and artistic creation.Because of the Chinese nation in the intake of Buddhism has been highly developed culture,so since the introduction of Buddhism into China,the beginning of the translation has been in china.Fit the traditional culture deeply China Vimalakirti Sutra,from East Hanzhoung plain five years out,get close to the ruling class and the general public of the Wei and Jin Dynasties;and to metaphysics said in the spirit of the pursuit,empty weimojie became the literati were longing for free to debate the Holy image,so as to achieve the commanding heights of Vimalakirti belief.The highest rank of vimaiakirti research and tendency of secularization of Buddhism belief,worship directly affects the Vimalakirti attention from very eloquent into the supernatural,which opened a new era of Vimalakirti belief and the Vimalakirti Sutra story drawing.Disguise of Vimalakirti is one of the ten Dunhuang disguise grotto murals,at different times each Grotto almost have it,total 67 spread.Based on belief,disguised also presents the corresponding the image design?composition layout?the image configuration?color application and other artistic techniques.This paper is based on the supernatural forces,carding context,explore change,tracing the background,and finally,returning to the art ontology,from the subject matter content,the powder design,image configuration and performance.Faith based,Dunhuang mural drawing also showed Vimalakirti disguised with the corresponding image design,composition layout,image configuration,color use and performance factor,through the study on pedigree in disguise,can be found in different periods in different emphases drawing performance.Dunhuang Grottoes weimojie disguised the earliest plastic good in both sides on the top in the West 249 th cave niches sitting Buddha,in an opposite direction on configuration.Early before,Dunhuang Vimo disguised drawing is relatively simple,mainly to kannei performance,or the same niche or niches,two visual configuration,themes for Vimo and listen to public law claims Manjusri scene,reflects the early Buddhist strong view of merit.To catch the Dunhuang cave 220,Wang appeared disguised originality image,constitutes a unique perspective on Weimo disguised this proposition,and have clear characteristics of the times,at the same time,the layout and composition of image design form have been improved.This new original design,is an innovative point in the research work,but also to promote the study of a shortcut.Based on the existing data shows: the 220 th cave Vimo in disguise Vimo Manjusri center on the basis of Tim painted show supernatural power scene,forming a image design and layout of the composition to preach Buddhism and secular religion double meaning,reflect the unified design,rich in changes and strong contrast the artistic features of unity in diversity,and have since become Dunhuang grottoes,and the basic composition and characteristics of Sichuan Vimo mural layout rule disguised rendering.