The Tragic Study Of Wang Xiaoshuai's Film Narration

In Wang Xiaoshuai's film,tragic narrative,as a special ideographic way of narrative art,has its own unique way of expression,value composition and aesthetic characteristics.On the one hand,the director reflects and expresses the eternal suffering of mankind through narration;on the other hand,the director gives the power of human tragic spirit through the picture and picture.The Wang Xiaoshuai film has always shown a powerful humanistic and rebellious spirit.Through the construction of tragic theme,tragic narrative language and tragic narrative time and space,it reproduces the complex and complex material world,and makes the audience appreciate the powerful force of the tragedy to show the reality.To some extent,the unique narration in Wang Xiaoshuai's movie has become the key to inspire the tragic spirit.On the theme level,the tragedy of Wang Xiaoshuai's film is mainly embodied in the growth of the "three line construction" memory,the hardship of the solitude of the pioneer,the pain of the struggle of the people of the refugees,and the difficulty of finding the middle class.Through the living state of individual life,the uncontrolled fate of individual and the genuine concern of the cruel society,Wang Xiaoshuai shows his sympathy and compassion for the original ecology of bitter life,bearing his unique rational thinking;in the narrative language level,the voice of multiple social history and the selection of cold hue.Wang Xiaoshuai created a cold and warm world of sadness.In the narrative time and space,the image space and the wrong narrative time displayed in the film not only strengthen the heavy and gloomy tragic atmosphere of the film,but also contain the sublime aesthetic feeling of Wang Xiaoshuai's works.The significance of Wang Xiaoshuai's movie Tragedy Narration mainly revolves around its rich narrative character of Chinese film and the innovation of the tragic narrative techniques in Chinese mainland films,which shows the purification of the human mind,the rational spirit of image transmission,the combination of the traditional aesthetics and the modern tragedy,and the deep and long open style.Ending?The works directed by Wang Xiaoshuai not only maintain the traditional mainstream but also the bold and advanced innovation,intertwined with the deep and deep clear style and the surging modern grief,with a rebellious and uncompromising posture,in the screen the loneliness and the possibility of anti reacting in the modern context.