Comparison Of Chinese And Foreign Youth Director Of Creative The Evolution Of Director Luc Besson And Wang Xiaoshuai In Film Art

Hundred years of the development of world cinema history tells us that it isimpossible for the art of film to get rid of the stigma of the commodity economy fromthe day it was born, the art of film bound to be faced with two choices of artistic andcommodity in the history of the development process. By studying the evolution roadof movie art of French director Luc Besson and the sixth generation of Chinesedirector Wang Xiaoshuai, and learning lessons from the creation of the InternationalMovie director, which reveal the problems in today’s China Youth Film Development,and the creative direction of the youth director.The film is the only product of modern industry and modern technology in alldisciplines of the arts. The development of modern industry has never been for theultimate purpose of the production of goods, so, it is impossible for the art of film toget rid of the stigma of art goods from the day it was born. The thesis study thecreative road of French film director Luc Besson and the sixth generation of Chinesefilm director Wang Xiaoshuai, and it analysis most of their film works. Trying to finddifferences of creative in Western art films and commercial films from start of theircreative in different times. Thesis design in the time and space of the film, thinkingideas and forms of montage film, film structure, film and television styles, the space ofthe film, mise-en-scene analysis, and explore the trends of today’s youth director on the film-making. Compare French film director Luc Besson film-making with Chinesedirector Wang Xiaoshuai and analysis of both similarities and differences of thecreation of film and television director and personality traits of Film and TV formed ineach of the different cultural themes. Thesis summed up some new understanding foryouth director from creation of the lessons learned by the Chinese and foreign youthdirector in the creative approach.