A Study On The Music Version Of The Music Scores Of The Book Of Songs After The Song Dynasty

The tradition of poetry chanting has existed during the Western Zhou Dynasty.The policy of ritual and music governing the country pursued in the Western Zhou Dynasty made the position of poetry and music supreme,and its own enlightenment has also received much attention.However,since the Spring and Autumn Period,the form and content of the chanting of the poetry chants have been gradually lost.In the Han dynasty,the music scores of the Book of Songs had only four pieces,such as Wenwang,and they died afterwards.Since Zhu Xi's"Twelve Music Scores of the Book of Songs" in "The Book of Yi Li" has reappeared in the Song Dynasty,poetry music has been revisited again.Although Zhu Xi himself had doubts about whether the spectrum was compatible with the ancients,as the only remaining book of the time,the"Twelve Music Scores of the Book of Songs" was constantly transmitted by the teachers who taught in private schools or official schools,and therefore they retained A lot of poetry and music scores were written.This article explores the status and value of the pedigree analysis centered on the "Twelve Music Scores of the Book of Songs" in the society descending from the Song Dynasty.The full text consists of three parts:introduction,three chapters and conclusion.The first chapter of the subject is an overall description of the ancient poetry.tradition.Among them,according to the development of the study of poetry and the teaching of poetry and music before the Song Dynasty,it is known that poetry before the Song Dynasty after the Western Zhou Dynasty was greatly neglected,attached to the study of Confucian classics and slowly developing,and the poetry gradually separated,and poetry occupies a dominant position.The content of the second chapter is the collation and classification study of the verses collected from this book.Through the classification of the entire version of the Book of Songs,the tone,and the classification of other characteristics,the overall situation of the Book of Music of the Book of Songs is grasped,laying a good foundation for the division of the Pedigree Spreading Diagram with the core of " Twelve Poems".In the third chapter,it mainly analyzes the structure of the pedigree with"Twelve Poems" as the core,and explores the development trend of poetry and music scores descended in the Song Dynasty from the perspective of musicology and social communication and application.In the music scores of the poems centered on "Twelve Poems," most of the poetry and music scores are the original transmissions of the "elegant poetry spectrum".There are also modifications to the phonological system of genre poetry or to performances(That is,instrumental music scores or instrumental music scores are used for-second-degree creation.In terms of musical characteristics of the music of the Book of Songs,most of the poetry still retains the characteristics of Zhong Zheng Ping's tune because of the restrictions on the relationship between the word and the music.However,the instrumental music score of the book has a limit of one word and one sound,and many New melody features.In social communication,the poetry and music of the Ming and Qing Dynasties were not only valued by the rulers,but also disseminated by a large number of academies as teaching means or contents.The epilogue part elaborates on the inconsistency of the consistency of text propagation in the development of musicology and the development of social communication.Although there are unanimous and unsynchronized,the restoration and attention to the book of music of the Book of Songs is exactly the same.