The Exploration And Development Of Zhejiang Shengzhou Clay Master Mi Art Style

Now known as Zhejiang province folk artists Mi scenery has been listed as provincial intangible cultural heritage,which is the affirmation of the same clay MI,but also carries the historical responsibility as inheritors.In order to let the hometown art continue to carry forward tradition,in order to get closer,more intuitive understanding of the Zhejiang Shengzhou clay MI,I went to Zhejiang Shengzhou clay sculpture creation area inspected,and the MI scenery I conducted face-to-face interviews,to collect a large number of "clay Mi" data,combined with the investigation,in addition to the first chapter study from the following aspects:A study of "clay MI," the birthplace of Zhejiang Shengzhou's geographical location,cultural background,analysis of Shengzhou clay produced by external conditions,and relevant data of the Hemudu Site ruins,the historical origin of Zhejiang clay.Brief introduction of MI scenery made in Zhejiang clay sculpture development achievements,combing the development context of Shengzhou clay.To explain the characteristics of the two Shengzhou clay production process,from the "clay Mi" clay material,creation of early and late different process types and production techniques etc..Three,the "clay Mi" clay works according to the theme of classification,through the analysis of the theme,the molding characteristics and color characteristics to study its artistic style.Four,the "clay Mi" and Wuxi Huishan clay figurines,Tianjin clay figurine Zhang and Daumier France sculpture comparative study,to clarify by comparing the unique artistic charm of Shengzhou clay and why it can have a space for one person in the world Chinese clay.Five,combined with the background and current situation of the development of clay Mi ",it discusses some challenges faced by the stage,such as lack of government support,lack of traditional concept of inheritance and other issues,and put forward the corresponding countermeasures.We should advocate the protection of folk art and take on the responsibility of inheriting the traditional culture of national tradition.Six,in combination with the postgraduate school,the creation of a sculpture with the characteristics of Shengzhou clay sculpture but also innovative.