From "Light Walking" To "The Second Erhu Rhapsod" To Analysis The "Integration Of China And The West" In The Works Of Erhu

More than a hundred years ago,Mr.Liu Tianhua put forward "the cooperation view of Chinese and Western Music" for the revival of national music.On this basis,he created more than ten works of "integration of Chinese and Western" with western composing techniques combined with traditional folk music of our country."The Light Walking" is among the more than ten works.As a rare March at that time,it can be regarded as the opening of the "integration of Chinese and Western".Over the past hundred years,the development of Erhu has reached a new height.However,in the history of the development of erhu,the concept of "integration of China and the west" has always run through.Since Mr.Liu Tianhua,there are a lot of examples of"integration of China and the west" in the history of the development of China'.Since twenty-first Century,the contemporary composers,represented by Liu Wenjin and Wang Jianmin,have carried forward the music creation concept of "the integration of the West and the west" by Mr.Liu Tianhua,and they have created a large number of large erhu works on this basis.Almost all these works are based on the idea of"integration of Chinese and Western".Different from the "integration of China and the west" a hundred years ago,the composers of the contemporary large erhu works have made some new developments and innovations on the basis of inher."The Second Erhu Rhapsody" is the first large erhu works of Erhu since its entry into twenty-first Century.It is typical for its unique Rhapsody style structure and the nine-sound artificial scale system created by Mr.Wang Jianmin's innovative creation.This article is to explore the inheritance and development of the important concept of"integration of China and the west" in erhu's works by analyzing and comparing Mr.Tianhua's "The Light Walking" and "two maniac...