A Study On The Narrative Strategies Of Cao Baoping's Films

“Academy School” directors are the non-neglectful backbone of the development of China's excellent small and medium cost films,in which Cao Baoping is also one of the leading figures in the current “Academy School” directors.The status of “teacher” has made him not only consciously stick to the bottom line of art,but also be able to come into contact with the cutting-edge trends of the industry all the time.His works often have a good box-office reputation and already become a hot spot in the field of film reviews.This paper mainly divides into four aspects to carry on the analysis to narrative strategies of Cao Baoping's films.The first chapter analyzes and expounds the narrative theme of Cao Baoping's film works and combines with the context of the new generation director's creation.The second chapter expounds the narrative form of Cao Baoping,analyzing his works from three aspects of narrative time and space,narrative perspective and narrative structure.He is flexible and changeable in constructing the narrative structure of the film,which not only has the circular narrative structure of cause and effect,but also adds the post-modern multi-line parallel narrative structure.The third chapter describes the film narrative style from the perspective of black humor and lens,sound,color analysis of the past films,comparing with other director works,reflecting Cao Baoping film black humor style unique.The use of dialects is also a characteristic of Cao Baoping's artistic style.The fourth chapter summarizes the impact of the rise of popular culture on the current commercial film market,as well as Cao Baoping's directorial works,which can not be ignored in the flood of commercial films.It summarizes Cao Baoping's “academic School” status brought about by the persistence of art,as well as the prospects for the future development of films.Based on the theory of narratology,this paper highlights the status characteristics of Cao Baoping's “academic School” director,clarifies his affirmation of “nature is good” and his concern for the lower class,and I believes that good film is a combination of visual pleasure and depth of thought.