Aesthetic Research On The Stage Art Of "King Ya"

As a country with an ancient cultural heritage and a strong historical and cultural background,China makes all ethnic minorities have its old cultural heritage and connotation of its local ethnic characteristics.There are 14 nationalities respectively inhabited in Xilin County of Guangxi,among which the zhuang nationality is the main nationality,and the Zhuangs' Mo religion is the ethnic religion that zhuang people worships.Each year,on July 17 to 21,zhuang folk holds a grand activity called "Cry for the King Ya" ritual activities,involving in a broad range.According to relevant documents and experts,zhuang nationality misses,worships,and thanksgiving "King Ya",because"she" created the earth,without her bless the land,there is no descendants of the zhuang people's blood.I carried out the aesthetic research by studying the evolution of "King Ya",from the original ecological image to the stage art image as well as its inheritance and protection.Through the investigations of relevant experts and verification,"King Ya" folk in Xilin has attracted the attention,it has become the county level intangible cultural heritage,and to carry out the ritual of "Cry for King Ya" at the municipal level,the application of autonomous region level intangible cultural heritage has begun,and Xilin county government held a related seminar,and created "Cry for the King Ya" folk dance music in the form of long poems to honor and praise her.Today,the depiction of "King Ya" stage art image is gradually getting perfect,I am studying its aesthetic aspects by using multidisciplinary theory knowledge and the knowledge of dancology,to study the"King Ya"stage art on the beauty of its image of totem,the beauty of the Hand tactic,the beauty of the varied and fast-changing changing rhythm and the beauty of simplicity of emotions.And on the base of her original image,I begin to dig out formation and the development of the artistic image within the stage transition period,the study has a profound cultural value in the studying of the overall economic culture of zhuang nationality,as well as in promoting the development of the living custom.The research institute of this subject can get the new bright spots,to deepening stage art makes "King Ya" stage art image deeply rooted in the hearts of the people.People can have a spontaneous protection and inheritance of the ancient national culture,so it can widely spread.