"Lone Man":A Study Of Liu Heping's Historical Drama Characters

Liu Heping is a famous contemporary playwright and historian.He is also one of the most influential figures in the creation of historical drama.His play is not only a template for the study of screenwriters,but also a rich text for research in various fields such as literature and history.In this paper,he selects three works that are at the node of the development of Chinese historical drama.Based on the loneliness of the main characters in the three works,combined with theoretical and textual analysis,he tries to explore Liu Heping's general laws and experiences in the creation of historical drama in order to help us A good analysis of the successes and failures of the historical drama in these years will promote the development of domestic historical drama.This article is divided into four parts.The introduction part analyzes the concept of historical drama.At the same time,it carries out literature review and current situation analysis on the topic to be studied.The first chapter mainly analyzes the connotation of the characters Liu Zhongping,Zhong Hai,Hai Rui and Fang Mengxuan.In the "Yong Zheng Dynasty",it mainly expounds the loneliness and the erosion of power as a cold-hearted reformer.Emotional loneliness;in the "Daming Dynasty 1566",it mainly depicted the loneliness of He Rui as a cultural consciousness and his unrestrained personality loneliness;in "Peking No War",he mainly explored Fang Mengqi's self-space,family space and society.Lonely in the collective space.The second chapter mainly analyzes from three aspects what causes the loneliness of the characters in the play.The era of cruel political ecology and contradictions,the family environment that has been lacking in love from childhood,and the potential psychological personality of the protagonists have all caused their loneliness in varying degrees.The third chapter is based on Liu Heping's three representative work cases,combined with Liu Heping's related interview reports,to explore the general idea of Liu Heping's historical drama production.Liu Heping promotes the culture of Dahe River and pays attention to the historical spirit to take care of social reality.Do not shirk the complexity of human nature and dare to integrate a multifaceted personality into one person.The innovation of this paper lies in grasping for the first time the characteristics of loneliness,the main character in Liu Pingping's historical drama,and further exploring the general idea of his historical drama creation.Through research,it is found that in Liu Heping's works,in addition to a consistent style of borrowing ancient poems,the advocacy of Dahe Culture is also a continuation of the creative concept in his works.At the same time,over time,in his later works,he gradually jumped out of the traditional binary opposition narrative mode,the face and the tabulated characters became less and less,and the understanding of human nature gradually deepened.Humanistic care has become more apparent,and the idea of creation has matured.