Recreating Culture From The Liaodi To The Studio Theatre

Early crosstalk performances are generally liaodi performances,the audience is the toiling masses.And today in Beijing's crosstalk performance market,the rise of a lot of crosstalk studio theatre performance,performance space is more standard,and the audience has become a white-collar in the city.The crosstalk is a traditional local art,and the small theatre is a cultural form spread from the west,which has the characteristics of avantgarde,avant-garde and elite.The combination of the two forms a special performance space for the sound of the studio theatre.This paper,based on the field work method of the art anthropology,uses hip-hop burdens as the research object,and tries to find out the reengineering of the cultural space of the Beijing crosstalk small theatre through the analysis of the typical studio theatre of the hip-hop burdens,which is a typical crosstalk theatre,to find out the importance of the local culture in this era,and to find out the importance of the local culture in this era.It is different from the previous study of the history of cross talk.The previous research is generally the analysis of the text or the simple combing of history,rather than the comparative study of historical and contemporary phase sound.The participatory observation and in-depth interview of the performance space.The text is divided into four chapters,the first chapter,the investigation area,the name of the Beijing crosstalk studio theatre is defined,the description of the industry ecology,the research object of this article-the hip hop burdens paved anzhen theatre,the development of the overview and the description of the space construction.The second chapter makes an analysis of the art actors in the crosstalk studio theatre,mainly classifying the actors and audiences,focusing on the changes of the actors,the characteristics of the audience's stratification and the interaction of the views,and the role of the service staff.The third chapter discusses the works of crosstalk theatre.In the summary,the function of the crosstalk studio theatre is summed up,and the development of the sstudio theatre is the re creation and reuse of the cultural heritage,and the cross sound is changing from the traditional heritage to the new resources for the multi development of the artists.