The Role Of Chinese Animation In Post-colonial Context

Today in the colonial era in our country,including many aspects,such as economy,culture,aesthetic is influenced by Europe and the United States,and other developed countries,the visual culture in the most obvious,and the animation is a kind of modern visual art,in the post-colonial context,the impact is more significant.So-called animation is based on painting,cooperate with the frame painting,photography and other modern science and technology,making it a coherent image,even if the painting can "move" rise.China has a long history of painting,traditional Chinese painting with a unique style,verve and wait for a characteristic,combining false and true left a thick a painting in the world.At the beginning of the founding until the 80 s,China has launched a number of ink painting,paper cutting,shadow play based animation products,such as "little tadpole looking for mom","reed pipe","pig eight quit to eat watermelon," gourd brothers "and so on,has obtained the good response,but since the reform and opening up since the 1980 s,few of these products.It is also restricted by postcolonial context,the aesthetic orientation of people has gradually changed during this period,influenced by the current our country animation works are no longer completely in traditional Chinese painting art,more is to draw lessons from America and Japan and other animation style.Since the 1990 s,China fully open the doors,ushered in the new era of\"cultural globalization\" since our country including economy,culture,aesthetic are significantly affected by developed countries such as America and Japan's,officially entered the post-colonial period.During this period,our country began to copy the us-japan style of animation production,in this stage the imitation of prevailing wind,often be directly copied the animation style of developed countries,even the character,the story content copied together,ignoring the cultural connotation of our country,national elements,resulting in a batch manufactured,connotation empty animation works,become subservient to the u.s.-japan animation completely,become inferior imitation of the us-japan animation,directly lead to the stagnation of animation industry in China,under attack.Since entering the new century,China's animation industry gradually aware of these problems,began to try to explore a suitable for the development of the new path animation industry inChina.This phase is no longer directly copied Japan animation and character modelling,but in America and Japan,on the basis of painting techniques,to join the Chinese elements.Animated characters,for example,the character's overall painting,though still with Japanese cartoon or Disney style is given priority to,but on the role of detail,reflect the rich Chinese colour aesthetic orientation,aim to break through the shackles of postcolonial,heighten the breakout war,form a new Chinese characters in the post-colonial context,to promote China's animation career to go on.In this paper,from the development of Chinese animation,America and Japan to our country the influence of the animation is emphatically discussed,clear animation role in this process in our country,is how to completely copy,development to now combined with local culture connotation,refactoring,hope to provide some reference for related people.