The Enlightenment Of The Use Of Paint Brushstrokes In Landscape Painting Texturing Method

Oil painting,a type of painting imported from the West,has experienced rapid development in China since the 1980s.In a very short period of time,Chinese painters tasted various "styles" and "doctrines"that appeared in the 20th century in the West.Looking back,we found that it is gradually moving away from local culture.The painting spirit of"Chinese-Western fusion" proposed by the older generation painters has been increasingly valued by current painters."The Enlightenment of the Use of Paint Brushstrokes in Landscape Painting Texturing Method"studied in this thesis is a useful supplement to the "Chinese-Western fusion" painting spirit."The Enlightenment of the Use of Paint Brushstrokes in Landscape Painting Texturing Method" of this thesis consists of the following aspects:Through combing and summarizing the development process of brush strokes,the development of brushstrokes is divided into four stages.First,the Renaissance period with "Invisible Harmony";Second,the"brick" Baroque;Third,the impression:"great liberation";Fourth,modern:"open flowers,a hundred schools of thought." This thesis analyzes and summarizes the characteristics of the brushstrokes in each period,consequently acquires the value of brush strokes.Artists continue to create new brushstrokes and write new artistic appeal for oil painting creation.The fourth chapter explains the concept of the texturing method and gives a more detailed explanation of the landscape texturing from the mastership relationship for landscape texturing method."The Enlightenment of the Use of Paint Brushstrokes in Landscape Painting Texturing Method" discussed in the fifth chapter is one of the focuses of this thesis.This chapter explores this point of view from three aspects:Representation-from point,line,face to face;Representation methods—from landscape painting methods and painting brushstroke performance;Representation Implication-from fusion imagery aesthetics between texturing method and brushstrokes.Finally,draw the enlightenments of the use of landscape painting texturing method and paint brushstrokes.They include:1)The innovation of brush strokes can learn from the spirit of the mastership relationship of the Chinese landscape painting texturing method.2)Oriental is good at using the line,but west is good at using the surface.Although they are different from each other,they can achieve very high artistic achievement.Learning from each other is beneficial to the diversification of the brushstrokes.3)Both the landscape painting texturing method and the paint brushstrokes have strong painting expression ability,and they differ in style and style.The pen and ink usage for texturing includes the changes of dry,wet,moist,withered,caramel,which has a certain learning significance for brush strokes.4)The painting brushstrokes have contemporary elements in the landscape paintings,while the traditional texturing methods also contain the tastes pursued in contemporary oil painting arts.They fuse with each other.Discuss contemporary oil painters how to use texturing method,taking Cai Jin as an example.And discuss the relationship between Cai Jin’s brush strokes and Wang Meng’s cowhair texturing.For this relationship,the author has some unique insights:The author believes that Cai Jin’s brush strokes and the Yuan Dynasty Wang Meng’s cowhair texturing are inextricably linked in the tenderness and crushing,the mystical jump in the screen effect,in a consistent style of painting.In chapter 7,My own painting experience is discussed.This part is another important point of the thesis and it is also the characteristic of this thesis.My painting has experienced three stages:poetic line period,persistent light and shadow period,style exploration period.In this process,the role of landscape texturing method in promoting personal style formation is explored.In addition,the enlightenments of the use of landscape texturing method in my oil painting creation inspiration are analyzed.In short,not forgetting the tradition,focusing on learning Chinese ancient landscape paintings,and carefully understanding the changes between texturing and rendering in the landscape paintings,fusing the aesthetic factors embodied in the texturing method and brush strokes can provide a constant source of inspiration for the development of contemporary Chinese oil paintings.