Play In Long-drama "The Young Man's Roles Female Roles And Clown Roles" Aria Study

Long-drama is a unique and new opera type in Gansu.It is a wonderful flower in our opera garden.It is the voice from the Loess Plateau,revealing the simple,delicate,passionate and heroic character of Longdong people.This drama,which originated from the ancient Longdong Taoism,has added many new elements in the development of the past sixty years,thus facilitated the performing mode of the Dragon drama.But in this new era of time background and the development of its own development is facing the new breakthrough,Long-drama is gradually ignored by people.People are not familiar with its singing characteristics,style features,personnel composition and dance beauty design and so on.Long-drama mainly takes the "three small" singing as the main direction of creation,its melody,the cavity and the style of the tune,and other characteristics because of the relationship between the birth time of the Long-drama,in recent years,the actual creation of the creation style has not formed a unified style.Problems such as plain and so on.In the course of the development of the Long-drama singing,the traditional style of the Longdong Taoism,the song card,the spring and the classical canto of Long-drama are compared and analyzed,and the singing style and artistic features of the representative figures are analyzed.This paper summarizes the performance style of "Xiao Sheng","Xiao Dan" and "clown",the structure of the singing style,the common plate style and the characteristics of the melody and rotation,analyzes the cultural attributes of Longdong in the Long-drama,and puts forward some suggestions on the development of the Longdong singing.The development of Long-drama can not do without the inheritance of the traditional Longdong Taoism,and the blind innovation will only accelerate the stagnation of the development of the Long-drama,so as to show the problems of the Long-drama singing and the unidentified performance style.It is necessary to inherit the traditional elements in Longdong's Taoism,make clear its own style,clear the characteristics of the regional culture,establish Longdong,based on Gansu,and aim for the national development.In Longdong Taoism music and Long-drama singing,the excellent traditional melody,plate style and singing method are extracted to further improve the melody characteristics and singing style characteristics of Long-drama,and summarize the theory system of Long-drama,and promote the higher quality development of Long-drama.No matter how the Long-drama singing is developed with the times,it is necessaryto make clear the relationship between inheritance and innovation,and never forget the regional cultural elements in the singing of the Long-drama.Only by inheriting the traditional culture can we explore innovation so as to make the development of the Dragon opera not deviate from the traditional culture of Longdong.The development of the singing of the Dragon opera is rooted only in its deep roots.