| The Qing dynasty is a very important period of Chinese calligraphic history.The rise of jinshi made the tablet develop rapidly.Let before tang dynasty inscription become the object of competition to Lin Xi,a new learning objects,there will be a new aesthetic pursuit,He Shaoji is an excellent representative of this period the stone inscription rubbings shoka,his stone inscription rubbings practice on the gallery has a great role in promoting.At the same time,he shaoji became the first person in the qing dynasty to really go to the inscriptions,In qing dynasty so"statue of stone post suppression" age,he was in an age can also keep the most sensible judgment,do not waste due to worship tablet,standing at a higher position to look,will fell very good fuses in together,finally out of the path of combining a fell,make it work with the tablet Xiong Jiang gumption and the elegant charm of post,He Shaoji shows us a successful innovation practice of calligraphy.He shaoji not only corrected the concept of "chongji" in the qing dynasty,but also influenced many scholars in the qing dynasty to join in the creation practice.In contemporary gallery,with the in-depth study of calligraphy,drew more and more diversified,not confined to the two Kings ",book wind all the way,there are a lot of people to look at the top He Shaoji,ho book on wind appearance appear in all kinds of exhibition,the works of He Shaoji as fell in combination with a master of fell combination is an inevitable direction of the development of the calligraphy forward and accepted by more and more shoka recognition,now is more and more big,the scope of research on He Shaoji grew with abundant information,now have a variety of perspective ho's academic papers,selected from the 11 th to analyze both point of view,is because China shuxie held once every four years the national Shu Fa Zhan in contemporary is one of the most influential exhibition,held in 2015,the 11 th national handwriting &seal cutting exhibition is from our recent year,is the most can reflect the status of today's gallery of creation,to see through the analysis of the11 th both He Shaoji book wind influence on contemporary gallery,also enlightens us in contemporary calligraphy study,should be how toinnovation of calligraphy.This article through to the 11 th both award-winning fair situation,the proportion of all kinds of style and quantity of affected by wind He Shaoji book works as well as proportion,affected by the author's relevant experience and so on to carry on the analysis of the system from which we can detailed understanding to the,He Shaoji book wind on the impact of contemporary gallery.In addition,from the background of his time,and the differences between he shaoji and the qing dynasty baoshichen and zhao zhiqian's inscriptions,this paper discusses the diversification of the development of inscriptions in the qing dynasty.In addition,the article also includes: family,career and other aspects of systematic review,these experiences are the important factors that influence the change of the book wind.Subsequently,the author analyzed the characteristics of the book from three aspects: regular script,cursive script and seal script.Finally,this article through the analysis of the11 th both talked about He Shaoji creative practice bring contemporary gallery of reflection,and then combining with their talk about creative ideas and creative practice of He Shaoji book learning,and the prospect of personal creation in the future. |
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