The Study Of Zhou Jingxin's Ink Language Language

Mr.Zhou Jingxin is a painter of contemporary painting China representative,his art is based on the China tradition of painting culture,fusion of Western sculpture art concept,combined with age,with modern aesthetic interest.The study and creation of his early career as a meticulous,in order to keep writing created a large number of high artistic value,the social impact of the works of art,and formed its own unique artistic style,but the theoretical research on the comprehensive system of the case are not many,relatively complete research more scarce.In the past few decades,Mr.Zhou Jingxin devoted to the exploration of ink,broaden their horizons,to understand western aesthetic theory of interest,and applied to the practice of art,formed a new language-"ink sculpture",Zhou Jingxin's painting language is a kind of art from the cultural accumulation to create.His artistic ideas into practice and give full play to the spirit of China painting ontology "freehand",other structure and fusion of Western sculpture culture language,with realistic meaning.This paper adopts the method of case study,experience summary and interviews,and the aesthetic value of contemporary ink painting of Zhou Jingxin era cultural background,artistic features,artistic style and his works of art on the cultural significance of the research and analysis,this research from the perspective of art history and art practice for Zhou Jingxin ink language analysis and inference,the objective evaluation of the important contribution of art works,and the aesthetic value of Zhou Jingxin painting and contemporary significance to explore and research,to provide a new perspective and ideas for the development and creation of Chinese painting Chinese.