Research On Zhang Mei's Music Aesthetics Thought

Zhang Mei,the songwriter,music educator,music esthetician,who can not be ignored in the last century,In his early years,he was engaged in the writing of songs,and in his life he left behind many popular revolutionary songs,which were edited at home and abroad.Zhang Mei's aesthetic thoughts are also self-contained and striking.But compared with his songs creation,and educational thoughts,his aesthetic thoughts have received relatively little attention in the academic world.Few research results have been obtained.Most of the studies on Zhang Mei have focused their attention on the creation of songs and the way of music education.There has not been a thorough study of Zhang Mei's aesthetic thoughts of music.At present,The academic circle still lacks the whole examination and deeper research to Zhang Mei's music aesthetics thought,and its influence and status in the music circle has not been evaluated reasonably,which to some extent has influenced the academic circles' comprehensive understanding and evaluation of Zhang Mei.This article regards Zhang Mei's music aesthetics thought as the research object.The first part,in view of the academic circles pay less attention to Zhang Mei's person,the author has made the more detailed elaboration to Zhang Mei's life story and the music contribution;the second part,To a great extent,Zhang Mei was influenced by his time,and his music aesthetics thought was influenced by his predecessors and his society.This part mainly discusses the theoretical basis and ideological source of Zhang Mei's music aesthetics thought.From five aspects of Zhang Mei's music performance,music creation,music education,music aesthetics and music review,he abstracts his core viewpoint of aesthetic thought.Part 4th summarizes Zhang Mei's music contribution from two angles of theory and creation.The conclusion summarizes Zhang Mei's contribution to music aesthetics,and makes a historical evaluation of Zhang Mei from the history of Chinese music aesthetics.On the one hand,it calls on the music researchers to pay more attention to the musician's musical aesthetics,on the other hand,it helps to re-examine and define Zhang Mei's position in the development of Chinese music aesthetics.