Research On Realistic Theater In Liberated Areas

Liberated area plays are mostly based on realistic creations.They use the way of experiencing life to interpret stories,express emotions,depict people and history,and realize the realistic feeling of drama through multiple combinations of the use of scenes and props and performance methods.The use of realistic writing in a play can be said to be a reality in history,a history in reality,the incident with a documentary approach,and a history of play.In the process of studying this phenomenon,it was discovered that this kind of realistic artistic expression and the development of art theory is an indispensable part of the study of drama history.It should not ignore the rules and characteristics of art itself because of the times.Therefore,it is particularly necessary to carry out a systematic and in-depth study of the realistic writing presented in the dramas in the liberated areas,so as to sum up and examine them carefully.Dissertation studies the dramas on creating,introducing and performing in the liberated areas from 1937 to 1949.And the paper embarks from the meaning of drama and suiting the audiences' aesthetic needs.Through the two perspectives of drama practice and theoretical exploration,and two ways of longitudinal transformation and horizontal absorption,the paper studies the art production and development of the drama in the liberated area.In this process,the most prominent feature of the drama is realistic in the Liberated Area,and a corresponding analysis of some important phenomena in the drama in the liberated area is made.At the same time,it explores the contributions and limitations of the drama in the liberated areas in terms of concept,theory,text,and stage of the drama in the liberated area.Based on the existing research results and following the problem-oriented approach,the research is mainly discussed from the following aspects:If the concept is not clear,then people will be confused and unable to communicate.So,Firstly,dissertation clarifies the concepts that are confusing in the Liberated Area drama,realistic writing in the Liberated Area drama,the differences between realistic writing in the Liberated Area drama and thetraditional,and realism.Secondly,the historical analysis method is used to carry out the necessary exploration of the creation of realistic paintings.In the process of fully presenting the historical development,the basic premise and development background of drama creation are mainly discussed.After combing out the creation of realistic history,this article will focus on the artistic expression of drama in the Liberated Area.This mainly involves two aspects:one is the textual analysis as a means to conduct a necessary review and investigation of the highly enlightening spiritual connotation of art texts in liberated area drama,and select the most characteristic three performances from the perspective of epistemology and analyze in-depth perspective on the creative methods,themes presentation and poetic realism,and the other is through the use of stage performance books and records,with stage environment and performance realistic writing as the starting point,clearly clarifying the development of the stage of realism and historical significance.On the basis of completing the above three aspects of research,this paper will conduct in-depth research on the realistic theory of liberated area drama.It further explains the deepening of the realism theory,the theoretical debate on human nature,whether it is a true debate,and the debate on nationalization.At the end of this thesis will focus on the artistic contribution of the drama and reflect on its limitations,and discuss the contributions and deficiencies of the drama in the Liberated Area in the perspective of development of the drama,in order to fully explain its social existence and value.Mr.Zou Yanjiu once pointed out that Chinese dramas have experienced hardships and tortuous explorations during the ups and downs of the war,forming dramas with Chinese national characteristics and western dramatic nature.This thesis believes that in the exploration and development of drama,the drama in the liberated area is full of realistic characteristics and is actively progressing in the trend of the times.It is a positive progress,but the relationship between realistic and drama needs to be adjusted combined with the needs of different eras.Adjustments cannot be generalized.At the same time,the research on realistic play in the liberated area is still on the way.This exploration has an important influence on the history of drama development.It should be more fully and comprehensively understand the development of drama in history.Therefore,the interpretation and generalization of this process are the important contents and expected goals of this paper.