The Music Style And Singing Characteristics Of Una Furtiva Lagrima

Florence,Italy opera originated in the late 16 th century,is a combination of drama,poetry,music,dance and art a summary art carrier.The opera from the 17 th century began to spread to Europe,France let-baptista di te mooring self-lully with England's Henry started opera.Until the 18 th century,Italy is still is the mainstream of the European opera until 1760,Luke introduced innovations \"opera\" produced a against are the new carrier of the opera \"comic opera\",such as the”marriage of Figaro ","The woman is",etc.Style in the early 19 th century,bel canto opera opera development on the peak,emerged a large number of opera,representative have Bellini,cover Donizetti,Rossini opera opera school three giants.Among them,the Italian composer Donizetti is our most familiar and most influential one of the master,his speed fast,wrote more than 70 operas,including "L'elisir D'amore","Don Pasquale",“Lucia Dilammermoo” are still the feast of the play.And finish in the 1830 s“Una furtiva lagrima” in a romantic tenor song of "L'elisir D'amore" in two hundred won the supreme honor for many years.In the second act in the typical Italian opera buffa Murray's aria “Una furtiva lagrima”is famous,largely because Donizetti melody on the writing parts mostly in tenor in vocal register,true and false in the mixed sound is the tenor singing difficult point to grasp,and melody is light and elegant,loved by people,as long as it is learning the tenor singing singer must be performed.Therefore,study of the opera and the aria understanding of work,the composer writing style technique,aesthetic height,is of great significance in terms of singing skills and influence.This paper will be from the composer Donizetti and comic opera "L'elisir D'amore" the era background,opera story content,the main character as the first part,the second part will quote PuLi,detailed analysis of the steal shed a tear,melody,mode,tonality,melody structure,music texture all aspects of the content.The third part is the analysis of domestic and foreign famous singer singing version,compare different artist to the production as an interpretation of the understanding,story characters,singing technique of the similarities and differences between what one.The fourth part summarized the content of the former three parts,starting from their own professional,through the analysis of the research content,play and sing different versions,which,as an improvement on their learning to sing opera if you have any help and influence the future of learning and the expression of the opera singing and also need to pay attention to what aspects.