Research Of Chinese Lyric Tradition In Taiwan

Nowadays,with more and more emphasis on classical cultural resources,it is very important to combing the classical literature on the road of cultural revival."Lyric tradition" is in the old learning(literary criticism)and western(epic drama)under the frame of reference,an era of products,is Chen shih-hsiang presented a theoretical interpretation of Chinese classical literature.As an important stage of "lyrical tradition",Taiwan has been linked with Taiwan since the beginning of the "lyrical tradition".Therefore,it is necessary to combing the "Chinese lyric tradition" of Taiwan.Mr Xiao Chi defines "Chinese lyric tradition" as:"Chen bearing(Xiang),high(friends)academic thinking,since the big historical context of Chinese culture,or more cultural background on lyric poetry as the main body of Chinese traditional art and literature,but not limited to one article as article)to provide theoretical exploration." This paper reveals the development course of this theory in Taiwan through the study of the "Chinese lyric tradition" and the theoretical construction of scholars.Combined with the reflection of scholars to reveal the theoretical defects of this theory,and in the view of Chinese literature research,the paper briefly states the research methods and evaluation criteria of Chinese literature.This paper is mainly divided into three parts,the first part is the introduction,mainly introduces the development stage and research status of Taiwan lyric tradition,as well as the problem consciousness and research significance adopted in this paper.The second part covers the first chapter to the third chapter,the text of this article,Taiwan with the dissimilation,methods for the lyric tradition of combed,the differentiation from source to all kinds of theory construction and deconstruction,this paper introduces the debate on its source,and choose some representative scholars,analyzes their theoretical statements,second,also for the results for decades and geared to the needs of the section.The third part is the conclusion,which is mainly aimed at some problems in the foreword,and puts the confusion of the future way in the end,expecting more appropriate research methods.The first chapter analyzes the reasons why Taiwan's lyric tradition has become a hot topic.There are two main reasons:subjective and objective,the personal cultural care of Chen shixiang and the sense of responsibility of Taiwan's academic society,seeking cultural identity and challenging the traditional research methods of the May 4th generation.Secondly,on the historical chance,exchange of Chinese and western background and challenges,attaches great importance to the traditional culture of Taiwan's big background,theory itself strong explanatory power prompted "lyric tradition" in Taiwan with the flourishing development of reproduction,this chapter mainly from two aspects of history and reality,through the analysis of the reason,can make us more clear in its historical position,also can more accurately evaluate its contribution.The second chapter analyzes the construction of Taiwan's "Chinese lyric tradition".First,tracing to its source is the focal point of scholars,therefore,to comb the debate about the source of it should be at the beginning of the end of construction,and the source of that also can reflect the academic ideas of some scholars,more conducive to grasp the traditional evaluation standard of Chinese classical literature.Secondly,founder Chen shih-hsiang combed the start "the Chinese lyric tradition" in Taiwan's development,from the national Taiwan university and tsinghua university in Taiwan scholars on "the Chinese lyric tradition" to interpret,the author through shu-xiang zhang,yu-yu cheng of ontology building and important concepts,innovative interpretation of the "feeling",shows the reflective consciousness and Taiwan scholars of ancient literary theory concerns,in the construction of combing,the author also traces the Cai Yingjun,cheng-huilu,qing-ming ke,the Japanese scholar susuki masao Taiwan scholar's point of view,in order to show more comprehensive development features of Taiwan's "Chinese lyric tradition".At the end of this chapter,the author has joined two "deconstructors"--gong pengcheng and yan kunyang's views,to increase their dialectic and to show their full development in a more complete way.The third chapter focuses on the reflection of the traditional research on Taiwan's lyric tradition,and pays attention to the effect of the discussion in modern vision.Succeeded at the end of the second chapter gong,yan criticism of the "lyric tradition"and collapse,so we should face up to its historical significance and the value,from the theory background,has for the significance of the name of Chinese literature,from the theory itself,although there are many defects,but its inclusive great inner tension widen the path of the modern interpretation of classical literature,the "emotion" and "inner monologue" focus,also make the literature research of dantian,across the field of vision of research also reveals the style and culture by modern scholars,not only to the stylistic classification methods are discussed in this paper,the enlightenment to the modern scholars studying the classical literature is the need to have the broad cultural vision.The third part,the conclusion.There is no doubt that Taiwan "lyric tradition"research on Chinese and western comparative perspective,the concerns of their own culture and communication between Chinese and western,across the ancient and modern,also produced some new research achievements,but about the defects of it have to look,on a single argument is absent,cause category diversity about whether theory construction on the theory of perfect,new method about the Wen Dian literary studies in China.These are my questions.