Study On The "Pao Weizi" Sacrificial Dance Of Henan Tangyin

In the late 90 s of last century,the concept of religious ritual began to enter into the field of musicology from ritual.It set off a ritual music in our country led by Mr.Cao Benye and with the Chinese University of Hong Kong and the China Academy of Art as the main research groups Research craze.Ritual music,as a branch of ethnomusicology,has drawn more and more attention from scholars in recent years and undoubtedly played a significant role in promoting the development of traditional Chinese culture.In our country,the cultural forms such as poetry,literature,music,dance and custom contained in the traditional rituals together form an important category of intangible cultural heritage in our country.Therefore,the study of ritual music is also one of the non-cultural heritage protection work.Ritual music and non-cultural heritage contain and complement each other and play a part in the research and protection of our country's traditional music culture.Music and dance are inherently inextricably linked.As a body language,dance has a mysterious color from its inception.In Tangyin County,Anyang,Henan,such a ritual-type dance circulated by locals as "Pao Weizi" and named after the dancers holding nearly two-meter long curtains running in various formations.This dance has a simple form and a long history,Has a high aesthetic value and cultural value,Pao Weizihas survived more than 2700 years.2006 included in the first batch of provincial people's government of Henan Province intangible cultural heritage,in 2008 successfully included in the national list of intangible cultural heritage.In recent years,the social influence of Pao Weizi has gradually expanded and the connection with the times has been relatively close.In addition to the large-scale sacrificial performances once every four years,local leaders organize the Pao Weizi,but so far,There is a big gap in academic research.This is also a long-neglected folk issue.The texts we see so far are basically historical retrospectives and narratives.Research articles on the musical forms and cultural connotations that Pao Wei zi Few,I hope that through this systematic study of the Tangyin system a comprehensive,on the folk issues of deep excavation play a breakthrough role.The author studied the tent of Tangyin five times in succession and carried out detailed literature and materials on the living conditions of the Pao Weizi and the sacrificial ritual through the experiential research methods and the detailed field records.The collection of sound data laid an important foundation for the further study of Pao Weizi,and then went on to study the deep cultural connotation and unique artistic charm of Pao Weizi.The first chapter mainly introduces the production and development of the Pao Weizi.The second chapter introduces the preparation of ceremonies,the ceremony,the order of the end of the ceremony,The third chapter focuses on the art of Pao Weizi dance,from the costume props,dance features,music accompaniment to write three,digging deep artistic charm of the Weizi.The fourth chapter analyzes the morphological structure of the ritual sacrificial ritual of Pao Weizi mainly from the perspective of ritual,and then expounds the relationship among the belief,ritual and music.The fifth chapter mainly introduces the cultural connotation and social function of the Pao Weizi,trying to show the essential state of the folk custom matter and what position it occupies in the people's life.Through these chapters,the author gives a detailed introduction and excavation of the drapery to show the unique artistic charm and existent value of Pao Weizi,which finally arouses the author's thinking on China's outstanding traditional culture and appeals to all walks of life to pay attention to and protect our country's tradition Culture,especially the culture that grows in folk culture like a curtain,should be inherited and carried forward.