Research On The Life Aesthetics Characteristics Of "Japanese Healing Films"

In the process of diversified development of the film market in the new era,a group of films marked as “Japanese Healing Films” have had a huge impact on China's film culture.Although they have not been considered as a clear film type,it is deeply loved and respected by the public.However,because of lacking the aesthetic vision,the academia often understand shallowly the reason for the emergence and development of “Japanese Healing Films”,and its aesthetic features.They often attribute reasons to the social,cultural,and psychological conditions in Japan,or generalize its aesthetic connotations.This article mainly reveal the deep cultural reasons of the development of “Japanese Healing Films”,its life aesthetic characteristics and the values of aesthetic education with the theories of life aesthetics,aesthetics of daily life,Gestalt psychology,trauma psychology.The first chapter focuses on the horizontal analysis of the cultural inheritance of “Japanese Healing Films”,revealing that its formation is the result of cultural accumulation of Japanese literature,animation,film,and aesthetic concepts.Then,through searching the previous of reason of the “Japanese Healing films” being accepted and developed all over the world,it reveals that filling of the intrinsic traumatic internal psychological structure makes the audience feel healed.Through the specific analysis of several recognized “Japanese Healing Films”,the second chapter reveals mainly that they all have the tendency to return to the vacuum of life,this consistent with the concept of life aesthetics returning to life and nature.Secondly,the rich aesthetic sensibility,imagination and internalized aesthetics of the characters in these films demonstrate the aesthetic characteristics of life with the awakening of life individuals and the restoration of sensibility.Furthermore,based on the sympathy of life,the close relationship between the rhythm of life and imagery rhythm is the appearance of the integration of subjectivity and objectivity.The third chapter mainly discusses the aesthetic characteristics of life in wound healing mechanism.Through the recollection of traumatic facts and non-objective examination of traumatic memory,the transcendence between subject and object,and the aesthetic existence,it expounds the life aesthetics' adhesive function,which reshapes traumatic memory and create the aesthetic channel between subject and object.The fourth chapter mainly emphasize the value and significance about researching the aesthetic characteristics of life in the “Japanese Healing films”.It not only establishes a new idea for the definition of the “Japanese Healing films”,but also a new form of mass aesthetic culture,which can practice the aesthetics of life,the connotation of aesthetic education,and promote the comprehensive development of human nature.Through researching the aesthetic characteristics of life in the “Japanese Healing films”,the author hopes to improve the definition of these films from the perspective of aesthetics,provide theoretical reference for the development of Chinese healing films,and further promote the Chinese public aesthetic concept.