A Study Of The Documentary Aesthetics Of The Adaptation Of Chinese Real Events Into Films

Art comes from life.The people and things that exist in real life are also the inspiration for the film creators.Stories adapted from real events in life are becoming more and more concerned by film creators and viewers.However,the truth of life and art is different and connected.The adaptation of real events from real life and the integration of the artistic features of film creation do not simply reappear the original appearance of the event.The film creation adapted from real events further promotes the expression of movie themes and the deconstruction of characters' emotions,and uses images to convey deeper ideology and values.Since the new century,the number of films adapted from Chinese real events has been increasing,which has gradually become a typical film phenomenon.This study looks at the development history,artistic characteristics and social value of films adapted from real events in China from 2000 to present,examines such film texts from multiple dimensions and reviews and summarizes them.This paper uses the theoretical framework of documentary aesthetics and explores the film adapted from Chinese real events as the object of study.In the beginning,it was an explanation of the connotation of the theory of documentary aesthetics.It combines the penetration and influence of the movie theory of Barzun's documentary aesthetics and the theory of documentary aesthetics in different periods on Chinese films,and constructs the choroid system of the theory of Chinese documentary aesthetics film theory.Secondly,the basic feature of documentary aesthetics is "documentary",which is incorporated into the film as a kind of aesthetic thought and presents a series of documentary aesthetic forms,such as the documentary style,the artistic characteristics of realism,the characteristics of the documentary style style and so on.This paper is divided into four parts: the introduction part mainly introduces the research background,the research significance and the research status,which includes the definition of related concepts and research objects,the commentary on the documentary aesthetics and the film adapted from the real event,and the research methods.The first part is the connotation of film documentary aesthetics.It mainly expounds the essential meaning of the theory of Film Documentary Aesthetics and summarizes the documentary image style and narrative way of films adapted from real events from the perspective of the interaction between reality and art.The second part is the analysis of the film texts adapted from real events..Real events are the archetype of the film.The third part will explore the current development problems and future development strategies of the movie adapted from real events,and further explore the development of the trend of typology for the movie adapted from real events.