A Study On Gaotang Goddess From The Perspective Of The Psychoanalysis

Gaotang goddess,also known as Wushan goddess,is a literary image which created by Song Yu in the "Gaotangfu","shennvfu",also an extremely important and productive theme in the literary tradition.Extensive studies on Gaotang goddess have been made in traditional research field,taking into account,this paper tries to make the study on Gaotang goddess under the psychoanalysis theory.This article is divided into six parts.The first part makes a brief introduction of the predecessors' research status about goddess and to give a definition of Gaotang goddess and psychoanalysis,and introduct the possibility between both of them.The second part is focus on author Song Yu,this part makes a preliminary exploration on the author's writing mentality,to find out the root of the Gaotang goddess.The third,fourth part is the main body of the paper from content and form two aspects,the third part using the theory of personality structure analyzes the multi-faceted characters of Gaotang goddess.The fourth part analyzes the characterization,symbol,dream,and dialogue structure shaping Gaotang goddess image from the three dimensions.The fifth part is the significance of Gaotang goddess,through the previous analysis,it can be inferred that Gaotang goddess provides the oedipal creation mode in Chinese literature,also has the achievement in the multifaceted characters display,and made a bold rebellion against the mainstream consciousness.The last chapter is the conclusion,using new thoughts to interpret Chinese traditional literature,its has two sides,we need an objective view.