Study On The Frontier Poetry In The Wei,Jin,Southern And Northern Dynasties

The frontier poetry in the Wei,Jin and Southern and Northern Dynasties was an important phase during the development of frontier poetry,which inherited the poetry of The Book of Songs and Yuefu songs of the Han Dynasty,enlightening the frontier poetry of the Tang Dynasty.If the Tang Dynasty was the complete maturity period of the frontier poetry,then the Wei,Jin and Southern and Northern Dynasties was the development and fixed period of the frontier poetry.Many elements of the frontier poetry of Tang Dynasty grew up in this stage.However,for a long time,the frontier poetry in the Wei,Jin and Northern and Southern Dynasties has been neglected,and its status in the history of frontier poetry has not been confirmed.This article attempts to study the frontier poetry of this period with the basic characteristics as the starting point.The introduction part defines the concept of the research object of this article,and briefly summarizes the related research results of the previous academic circles.The first chapter introduces the development of frontier fortress poetry in the Wei,Jin,Southern and Northern Dynasties and introduces the main poets and their works.The second chapter discusses the content features of the frontier fortress poetry in the Wei,Jin,Southern and Northern Dynasties.The first is the fictitiousness,including everything from the object image to the emotion,and make a comparative analysis with the later works of Yuxin.The second is the integration of the theme of frontier fortress.That is to say,based on the theme of the frontier plugs,constructing esthetic conception of ancient Chinese frontier poetry with the nutrition of the rangers,boudoir repining,and landscape poems.The third is the multifaceted nature of sentiment,which mainly includes heroism,loyalty and homesickness—they are the main theme of the frontier poetry in this period.The third chapter analyses the artistic features of the frontier fortress poetry in the Wei,Jin and Northern and Southern Dynasties.The first is the convergence in the creative mode.This manifests itself in the relative fixedness of the narrative model and the inheritance of Han Dynasty.The second is the similarity in the artistic style,which is mainly reflected in the literary quotation,poetic tone and genre selection.Third,the consistency of imagery construction can be broadly divided into three categories: environmental imagery,war imagery and homesick imagery.The fourth chapter focuses on the above-mentioned characteristics,explores it from three perspectives: social thought,aesthetic interest and internal development of literature.