From Trash To Archives,from Archives To Art

In the past few decades,artists in the rich and abandoned society have drawn increasing attention.Waste is a repressed side of consumption,a symbol of squandering the economy and a signal of ecological threats.In a consumer culture,there is more and more of an abandoned economy in an economy where the material production is growing and the cycle of updating and abandoning old is getting faster and faster.In such a consumer culture,waste has become a problem,and its material and cultural attributes have,to some extent,become a matter ecologically or mentally related to human existence.This dissertation focuses on the relationship between waste and art,and discusses the trash to archives and archives through combining the image of scavengers in modern literature-Ilya Kabakov based on the personal memory of the Soviet Union Created by the Museum of the work.This paper is divided into three chapters in total.The first chapter deals with the problems of archives and waste boundary from the perspective of archives and archives.Starting from the second chapter,we discuss the relationship between art and waste through the image of scavengers in the modern literature.The third chapter analyzes the inner logic of his works and waste through concrete works by analyzing the small museum opened by Ilya Kabakov for the remains of the world.In this chapter,Ilya Kabakov museums the life,Valuable and worthless boundaries are entirely eliminated,memories and oblivion endure and disappear,and individuals and authorities become completely visible.In order to achieve from garbage to files,from file to art this transformation.Kabakov's waste here will be a social metaphor.That is one reason why Ilya Kabakov concentrated so much on junk memory work in a centralized state.