Research On The Non-Identity Subject Consciousness Of Geng Zhanchun

The change of Geng Zhanchun's poetic concept shows the changes in the domainof the problem about subject,His writing is a supplementary context to understand his thoughts.In early years,Geng Zhanchun insisted on language ontology.He offered his subjectivity to language and attempted to find the eternal factors that transcend reality.With the understanding of the oppressive environment of subject,rather than followed the radical linguistic formalism and extreme romanticism,Geng Zhanchun introduced the concept of sensuous subject.He respected perceptual experience,especially the negative experience.In a particular language,Geng Zhanchun properly handled the relationship between language and subject,and realized the transition from identity to non-identity,showing the generative of the self.For Gengzhanchun,the social function of subjectivity that refers exterior is being lost,but the function which refers inner keeps growing.On the basis of perusing the books of Geng Zhanchun,the thesis systematically combs the formation of the non-identity subject consciousness of Geng Zhanchun,and tries to explore the deeper connotation provided by Geng Zhanchun's new subjective paradigm.This thesis was divided into four parts:The first part mainly discuss the reasons of the formation of Geng Zhanchun's non-identity subject consciousness.The childhood experience as a primary scene is a powerful internal motivation of Geng Zhanchun.Childhood's ambiguous linguistic consciousness makes Geng Zhanchun always pay attention to language.The memories of the deaths of early relatives makes Geng Zhanchun abandoned the position of transcending reality to seeking eternity and turned his attention to the generative perceptual experience.The reflection on the social context prompts Geng Zhanchun to think about how to make his own voice more effectively and strategically in the oppressive environment.The influence of Western thought has expanded and deepened the idea of Geng Zhanchun,allowing he to constantly adjust the touch of his own ideas.The second part mainly discusses the formation of Geng Zhanchun's non-identity subject consciousness,that is,the process of Geng Zhanchun's consciousness from the recognition of identity to aware of the oppressive environment,and aware of there are huge cracks in language and experience.Concretely speaking,The Metaphor written inthe early 1980 s embodies the idea of Geng Zhanchun's identity.He gives subjectivity to language and seeks for an eternal factor which surpasses reality through the untity of language,body and nature.With the knowledge of the plight of the hostage from the control and depressing factors suffered by the body,Geng Zhanchun realized the negative experiences of human were forced to remain silence,words and life were not identical,and he questions his early ideas that ignore the specific context of the subject.The third part discusses Geng zhanchun how to hold on the non-identity subject consciousness,which is the confrontation to negative experience taken by Geng Zhanchun after experiencing the oppressive feelings given by the society and the times.It is different from rude resistance that points to the social ethics field.It regains inward experience and acquires internal sovereignty through inward turning.In this process,Geng Zhanchun encrypts his own real experience by reading and writing,pays attention to the current situation of intellectuals,particularly notice the literary discourse which is closely integrates with experience,and reinvests poetry whith special meaning.The fourth part mainly discusses the two expressive features with methodological significance of Geng zhanchun's no-idendtity subject consciousness,namely the propositional nature of daily life and the consciousness of crossing boundaries.The propositional nature of daily life combines knowledge with experience,which is the solution proposed by Geng Zhanchun to solve the problem of the self-conversion and social transformation faced by intellectuals.It allows Geng Zhanchun to always be in the presence of the problem and maintain dialogues between himself and the society and current events.Consciously crossed the boundary of the discipline and the style,Geng Zhanchun gets rid of the many limitations of power in the field of knowledge and to follow the process of generation of ideas and embraces more possibilities.