Deconstruction And Reconstruction

Contemporary British art historian William Norman Bryson believes that the neoclassical artist David made a utilitarian use of the traditional content to make it realize the new meaning in his own painting practice.In other words,the traditional reference to content itself has had a new meaning in David’s succession,an "escaping" type of inheritance,which is the source of "image escaping." As a way to generate the meaning of works,"Image Escaping" refers to the use by modern creators to create the classic images of their predecessors into their own creations.The images of these different sources conflict or conflict with each other on the same screen Strengthen,or stimulate each other,making the original image does not have the new meaning of elucidation.The first chapter of the article focuses on the source of "Image Escaping".Taking the repeated use of "Venus" in Giorgione by Titian,Goya,Manet and others since the Renaissance,Elaborates on the evolution of the meaning of images in different age works and the continuous enrichment of humanistic connotation,and how the evolution of images affects Western postmodern art.Explore the historical phenomenon of "Image Escape" and the originality of copying,embezzlement,collage and digestion of classic images that prevail in postmodern art,deduce and subvert the classic images in the creation so that the images extend as new life Out of different contacts in the past.In the second chapter,"Image Age" is taken as the background of the great times,and the gaze is shifted from the West to the creation of Chinese contemporary art.The second chapter examines the background of the phenomenon of "Image Escape" in the Chinese contemporary art creation and the change of Chinese contemporary artists’ creative concept..Since China entered the new period of reform and opening up in the1990 s,especially after China acceded to the WTO in 2001,"globalization" has become a real context that can not be ignored in its own development.In such an openenvironment for development and the context of globalization,China has enjoyed rapid development in media technology,network technology and communication technology.As a result,vast amounts of image information are pouring into people’s daily life.As a result,image-based visual culture has become the mainstream in today’s cultural forms.The function and significance of images have risen to the highest priority in today’s China and around the world.Correspondingly,the phenomenon of creation of "Image Escape" has become a path that can not be ignored in contemporary and contemporary Chinese art.In chapter three,Wang Guangyi,Yue Minjun,Zeng Fanzhi and Li Zhanyang are selected as the case studies to analyze how they use existing images to re-create and enrich the original images Connotation,discusses in detail the phenomenon of "image escaping" in the creation of contemporary Chinese art.The fourth chapter of the article is a reflection on the creation phenomenon of "Image Escape".The use and re-creation of images can enrich the connotation and extension of the image system and expand the depth and thickness of the image system.However,this does not mean that all the relevant creative practices can withstand scrutiny.In this case,we can not help but blame the sinister,ugly boring works which will only become abuse of images.The fifth chapter is about the analysis and thinking of the practice of individual creation.Although the "image-escaping" creation in the Chinese contemporary art creation has made some progress in the generation of the meaning of the work,it has not yet departed from the mode of image-to-image.As a member of the Chinese contemporary art creation army,I personally tend to dig some of the traditional images that have been overwhelmed by history,not only to expand the connotation of the existing images but to give more traditional images in the creation of contemporaryity.The sixth chapter is the conclusion of the full text."Image Escaping" not only serves as a way to generate image meaning,but also as a method of contemporary art creation,which means that the images in a given period should make it touch the present context In fact,that is,"to deconstruct the original meaning of the image and to reconstruct the current connotation of it," so that the image can obtain the cultural nutrition from the moment in the current changes and differences,and obtain different interpretations from the past.Only in this way,"Image Escaping" can really take effect in the creation.