The Study Of The Theory Of Artistic Aesthetics In Mongolian Drama Criticism In The New Century

Mongolian drama criticism is an important part of Mongolian literary criticism.Study on Mongolian Drama Criticism It is not only the need for the improvement of the Mongolian literary criticism itself,but also the need for the development of Mongolian drama creation.Positive Indeed,the aesthetic concept of dramatic critical art can play a scientific role in guiding and promoting the development of drama.This article is divided into chapters.The first chapter is about the aesthetic theory system of Mongolian dramatic criticism in the new century.A comprehensive analysis of the beauty of the form and the beauty of the content.The beauty of form includes the beauty of rhythm,the beauty of stage scenarios,and the beauty of stage language.The beauty of content includes the beauty of authenticity,the beauty of history,and the beauty of nationality.The second chapter,the aesthetic form of Mongolian comedy and tragic criticism in the new century.The aesthetic form of comedy criticism includes the funny features of the story,the humorous features of the language,and the method of expressiveness of wit.The aesthetic form of tragic criticism includes the beauty of character image,the beauty of elegant spirit,and the beauty of compassion and sadness.The third chapter is a new exploration of the aesthetic concept of Mongolian dramatic criticism in the new century.First of all,in terms of persevering in realism,it analyzes intention creation and image building;secondly,it analyzes topic selection,audience aesthetics,and cultural heritage in highlighting national characteristics;again,it focuses on critical models,stage languages,and stage scenarios in narrative development.Analyze;Finally,in exploration of new methods,conduct detailed analysis from content and form presentation.