A Study On The Aesthetic Concept Of Mongolian Folk Literature—"Da"

"Da"(?)is an important aesthetic concept of Mongolian,and the essence of "Da" is awe and worship.When ancient Mongolians used and transformed nature,they realized their power to nature.Their worship of nature was transformed into aesthetic psychology.Nature was transformed from worship object to aesthetic object.The mysterious attribute of nature "Da" was transformed into aesthetic attribute,and mixed into aesthetic subject.The "Da" was transformed from natural field to human field and became human attribute.Based on the development of Mongolian society and the change of people's ideology,this paper discusses the expression of "Da" in Mongolian folk literature.The first chapter discusses that in the era of God,the Mongolian people can't correctly understand nature in the relationship between man and nature due to backward production and insufficient cognitive ability,and they began to believe in shamanism.In nature,the sky and the Earth,because of their changes and actions on all things,arouse the Mongolian People's awe and worship,occupying the supreme position in the Mongolian shamanism system.Under the influence of Shamanism,the aesthetic concept of "Da" in sky and earth was born.That is embodied in Mongolian shamanism prayer and praise.The second chapter discusses the heroic era,Mongols in the process of struggle with nature,society to recognize their own strength,subject consciousness has been promoted,people from the previous nature worship to hero worship,forming the concept of the "Da" of heroes.That is mainly reflected in Mongolian heroic epic and folklore.The third chapter examines the Mongolian people in the era of people,under the oppression of feudalism and imperialism on the road of resistance,the Mongolian people in the fierce struggle to show the spirit of "rich and noble can't be prostituted,poor and cheap can't be moved,power can't be subdued ",reached the realm of " full and brilliant ".The "Da" of personality is most prominent in the aesthetic expression of Mongolian folk songs and folk narrative poems.