A Study On Performance Techniques And Style Of Nanyin Pipa

Nanyin pipa,as an instrument closest to the ancient pipa,contains rich historical imprinting and the accumulation of playing techniques from generation to generation,which is of great significance and value to the learners of pipa playing.Nanyin pipa is indispensable to the three tributaries of Nanyin: refers,music and music,and plays a leading role in the Nanyin band: the upper four,the next four,and the ten notes.As the name spectrum of Nan Yin,"Mei Hua Cao" is the only representative Southern Yin music in the name of "Cao".The performance of "Mei Hua Cao" covers most of the traditional playing techniques of Nanyin pipa.It also makes great use of the "innovative" combination technique with local characteristics,which is a traditional music with rich techniques and distinctive local style.As a world-class intangible cultural heritage,Nanyin is widely concerned by domestic and international scholars.In particular,the inheritance of the Nanyin pipa playing techniques,for the pipa professional players to provide a rare "living" information and first-hand materials.It not only enriches the expressiveness and stylization of pipa playing,but also helps us to study,apply and think about the significance of "non-posthumous" resources to present professional learners' "diversified" playing style.This article takes the nangui Pipa performance technique as the research object,taking the South Sound name spectrum < Mei Hua Cao> as the specific case,combining the field investigation,practice learning and theoretical analysis.On the one hand,visiting the Quanzhou area south music Pipa inheritor Ceng Jiayang,and learning the Quanzhou area's southern PA skill performance method to the inheritor;on the other hand,"Mei Hua".The point selection of the pipa,the point pick derivation technique,the twist finger,the decorative technique,the combination technique and so on,carry out specific discussion and analysis,and then explore the Quanzhou local style contained in the pipa performance technique through the combination of techniques and music.The article tries to play a combination of techniques and music studies.This paper expounds the way of playing Nanyin pipa,the local style and the significance and value of learning as intangible cultural heritage to the professional learners of pipa playing.