A Study Of Hazy Beauty Based On The Principle Of "White As Black" In Chinese Painting

Chinese painting is one of the expressive forms of traditional Chinese painting art.Its development has a long history.Its modeling features are lines and ink color changes as a means to achieve lines and ink colors.The biggest difference between Chinese painting and Western painting is that Chinese painting emphasizes God like but not shape,paying attention to "form God with shape" and pay attention to meaning.The expression of the border.Based on the special cultural background and philosophical foundation of China,it has its own regularity.The Chinese painting emphasizes that "the painting is in the first place and the painting is the best".The expression of "the form of things" expresses the inner feelings through the expression of the concrete scene,and transmits the artistic beauty of the Chinese painting in the "exquisite pen and the fine ink".It needs the technique of pen and ink to express the creator's emotion,and in Chinese painting,"counting white when black" is one of the most important principles.Based on the analysis of the concept and theoretical analysis of "count white as black",this article deeply interprets what the "black and white" means in the landscape painting,and its theoretical basis and philosophy.How the concept is related,and take the Lijiang River's rain and rain theme paintings as an example,to explore the beauty of hazy beauty in Chinese painting.In aesthetics,hazy beauty is the creation of a kind of artistic conception,and the idea that the misty can be clear and clear,or implicit,is a visual form of the image.In the spirit,obscurity is a kind of expression of the artistic conception,"the half of the pipa is covered with the face",the object is blurred and the concept is vague.Not sure,but can be hazy subtle unspeakable beauty,people reverie.Its characteristic is to use some obscure and obscure form to express the content of polysemy,so that the appreciative can get some aesthetic enjoyment through guessing,imagination and intention in the appreciation.From the presentational and perceptual,visual and spiritual aspects,we realize the philosophical meaning of "trance".The creation of Chinese landscape painting will also be covered with hazy color.The hazy can not only be hidden,but also make the whole picture empty and true.It can also make people have endless Association.This is also an important basis for the realization of the artistic conception of Chinese landscape painting.Guilin Scenery has been popular since ancient times,and the poems of the Lijiang River are countless.The poet Han Yu of the Tang Dynasty left the "Jiang Qing Luo belt,the mountain like a jade hairpin".According to the historical documents,the masters of the landscape paintings of the dynasties have left almost nothing in the ink and ink of the beautiful scenery.With the beginning of the last century,Qi Baishi and Huang Binhong and others traveled to Guilin to draw the paintings.The works of Guilin Scenery have been developed.The beautiful scenery of the Lijiang River is brilliant in Qi Baishi,Huang Binhong,Li Keran,Xu Beihong and others.They are traveling and depicting in the field.The full text is divided into four parts respectively to study the hazy beauty produced by the application of "Ji Bai Dun" in the application of Chinese landscape painting in the Lijiang River.In the first chapter,we explore the principle of "calculating white and black" and put forward the necessity of "white as black" in Chinese painting creation.The second chapter analyzes the relationship between the "white and black" and the natural form of the smoke and rain in the Lijiang River.In the third chapter,we mainly discuss the hazy beauty of the "Li Bai Dun" on the Lijiang River through the description of the smoke and rain in the Lijiang River.Finally,based on the author's own creative process,this paper deepens the understanding of the principle of "white and black" in Chinese painting and the understanding in the use of ink and ink.