Architectural Features Of Guangxi And Sanjiang As The Ink Performance Research

Sanjiang Dong Autonomous County is located in the north end of the Guangxi Zhuang Autonomous Region,contiguous to the two provinces of Guizhou and Hunan,and Longsheng county to the East,Guizhou Congjiang County in the west,and two counties in the south of meltwater and Rong an.It is based on Sanjiang Dong Autonomous County,because it has unique aesthetic value and connotation.Sanjiang wind rain bridge and drum tower are not only the representatives of Sanjiang Dong Autonomous County,but also the landmark building of Sanjiang Dong Autonomous County.The origin of the art and culture of the wind and rain bridge building has its historical development process.After the self deepening and transformation of the Dong people,the unique style and culture of the Dong nationality wind and rain bridge have been gradually formed.The Sanjiang wind and rain bridge is the expression of the high architectural art of the people of Dong Township,and the crystallization of the wisdom of the people of Dong nationality.It is the longest bridge in the Dong ethnic area with the combination of the architectural style of the Dong nationality.It is a bridge,porch and pavilion with the combination of three wood and stone structure bridge architecture,with the surrounding drum tower,with the natural landscape,known as one of the three great treasures of the Dong architectural art.Its unique aesthetic characteristics attract many artists,and many painters to the Sanjiang Dong Autonomous County Art depiction,especially the unique Sanjiang wind and rain bridge in this area,and the integration of the surrounding environment,have become the vivid material of the painter's life and creation.For the needs of professional research,the author makes a detailed investigation of the natural environment,social environment,historical and cultural heritage and cultural connotation of the Sanjiang wind and rain bridge.At the same time,the author has referred to a large number of related books,analyzed the architectural features and the performance of the Sanjiang wind and rain bridge,and also analyzed his writing in the Dong Autonomous County of Sanjiang.A theoretical summary is made for students,creative works,and so on.This paper is divided into four parts: the introduction part mainly introduces the research background and significance,purpose and scope,research methods and approaches.The first chapter of the thesis mainly discusses the architectural and aesthetic features of the sanjiang storm bridge.First of all,from the historical background of the three rivers wind and rain bridge,its evolution and development process are summarized.Secondly,the connotation of architectural culture and architectural characteristics of sanjiang wind and rain bridge;Finally,the aesthetic characteristics of sanjiang wind and rain bridge are introduced,and the natural and human conditions for the formation of aesthetic characteristics of sanjiang wind and rain bridge are introduced.The second chapter of the thesis takes the Sanjiang Dong Autonomous County as the theme of the modern Chinese landscape painting.From the artistic expression,the layout and the composition,the expression of the brush and the ink and the creation of the artistic conception,the paper focuses on the description of the performance of the brush and ink.The third chapter of this paper is the focus of this article,mainly on the Sanjiang Dong Autonomous County as the theme of the Chinese landscape painting and creation of the exposition,the analysis of the predecessor painter's writings,summary of his own sketching methods and methods,the process and process of writing,and finally the practice of writing and writing.