The Research On The Narration Of Domestic Criminal Films

Film about crime,as one of the types of movies,has the rapid development on marketization for 15 years,which was initiated from zero basis to prosperity,having made gratifying achievements in terms of film’s quality,reputation and value of box office.They have carried on the bold exploration in the narration,unceasingly promoted development and consummation of type of movie.In recent years,Chinese movie on youth and comedies have made eye-grabbing achievements,but the follow-up strength is insufficient,showing a weak trend,and the development of the type of criminal film provides the impetus for the sustainable development of Chinese films,making the market of film more prosperous and diversified.Through combing and studying the narration of the criminal film in recent years,taking the fascinating text of story as the basis,the narrative elements are summarized(Structure,theme,style),which is conducive to the theme of narration and mix the elements of criminal film to produce better work,which can amplify the space for criminal film to become diversity,letting this kind of movie,with full of expectation from audience and urgent to consummate,continue to coruscate the vitality of market while search for appropriate audience.This article is divided overall into Chapter 5.The Chapter 1 is about the narrative theme of the domestic criminal film.The theme is not only the soul of a work,but also the way of communication between the creator and the audience,which author wants to convey the ideas to the audience,through the query on good and evil within human nature,the plight of marginal characters,the mystery of redemption and rebirth,the conflict on value of intergenerational identity,summarizing them to provide a reference for the prosperous theme of criminal film.Chapter 2 is about to elaborate the narrative structure of domestic criminal films,which apply to such methods as linear,nonlinear and anti-linear this three major categories,plus taking into account the narrative content and specific films as a case ofstudy,to analyze the narrative structure.In the process of the innovation of type of criminal film,the different combination in the structure also collides each other to produce different work,which provides the new choice for the film’s narration.Chapter 3 discusses the role types of domestic crime films,the characterization of the core elements of the narrative,this chapter from the crime film superhero,perpetrators and victims of power competition,the critical zone of the prototype characters are classified and summarized.Chapter 4 is the study on the narrative style of the domestic criminal film,and the formation of the style has significant reference to the academic film and the commercial film.This chapter analyzes such three aspects: the black style of "constructing image",the documentary style with flickering nature of human and the magic style with ultra-geographical space.Chapter 5 is to discuss the developing deficiency of type of criminal film,including ethical dilemma,the unbalanced quality of criminal film,immature market,to lie consummating path on typology,and provide recommendations from such three aspects as commutating the type,telling a good story,making the balance between self-expression and social acceptance.In general,crime-type films naturally possess commercial elements,including the adoption on flexibly narrative methods,the subject with diversified and fashionable characters,which has won in the consuming context the attention of the market,ever having been favored by the audience.Domestic criminal film is the fresh activists in contemporary Chinese film,which brings together many excellent filmmakers and produces a lot of excellent works.This paper,from the perspective of narratology,systematically combs and analyzes the specific texting cases of type of criminal film while summarizes the breakthrough and innovation of criminal film in the field of narratology,focusing on the potential of development of contemporary criminal film in the filming market,discussing how to make the balance on performance between the art and commercial film so as to make crime-type file to become prosperous.