The Exploration Of The Practice And Theory Of Fieldwork In Ethnomusicology

Ethnomusicology is a theoretical subject of musicology,which studies the traditional music of the world and its development types.Fieldwork is the basic way to obtain the source of research materials.Therefore,ethnomusicology is essentially a practical subject based on fieldwork [Wu Guodong,ethnomusicology,people's music publishing house,July 2014(Reprint Edition),twenty-seventh pages.].Ethnomusicology is a new and emerging subject in China.If it is used in the study of Chinese traditional and folk music,it is necessary to combine the theory of "Introduction" with the soil of China to make it sinicization,localization and epoch,so that it has Chinese characteristics.The study of Gaobeidian and Xiongxian music remains on the basis of the theory of ethnomusicology,combined with the history of China,local characteristics and the characteristics of the present times,an exploratory field investigation.The series of investigations are carried out in the middle of Hebei Province,and closely combined with the history,culture,geographical position,social environment,music characteristics and customs of Gaobeidian and Xiongxian.It is the exploration of localization,localization and modernization of field practice and theory of ethnomusicology.The practice and theory of this series of investigations are of great significance to the study of Chinese traditional music and Chinese folk music;it is of great significance to the development of Chinese ethnomusicology and the protection of nonlegacy.Based on this,after participating in a large number of fieldwork,the author began to write the thesis on the basis of relatively rich field practice.First,systematize the fieldwork of the two places,and summarize the practice of each field based on the combing.Secondly,on the basis of the summary,we think about the field investigation experience of the two places,and explore the field investigation theory of national musicology with Chinese characteristics,local characteristics and the characteristics of the times from the experience,lessons and significance of the two places.This article is divided into four chapters.The first chapter first summarizes the history of national and foreign national musicology field investigation,and then discusses the domestic and foreign field investigation theory.Through sorting out the practice and theory of fieldwork in ethnomusicology,we have a comprehensive understanding of it,which facilitates the exploration of later practice and theory.The second chapter describes two parts of the planning stage and the implementation stage of the music intangible heritage inspection in Gaobeidian and Xiongxian.From the collection of previous information,the formulation of the investigation plan and the on-the-spot investigation,the local characteristics and characteristics of the times are illustrated through practice.The third chapter describes the carding,production and publication of the results of the survey,and presents the results of the series of research through the form of reading,drawing and calligraphy.The two parts are to explore the practice of the series,and make a theoretical summary of the corresponding field practice.The fourth chapter is the main part of this article.On the basis of the detailed description and summary of the previous three chapters,this part mainly discusses the field study experience summed up by the series of investigations,and the lessons and significance of the investigation.The theory of fieldwork with Chinese characteristics,local characteristics and the characteristics of the times is summarized and reflected by the practice of the series.So this article is mainly through the study of the Gaobeidian and Xiongxian music,to explore the field practice and theory of the national musicology of "China" and "epoch".