The Development And Comparative Study Of Chinese And American Film Mythological Thinking In The New Century

This article applies the theory and method of myth and archetypal criticism,starting from the original mythical thinking,analyzes the myth of hidden elements in the film,to able to combine the theory with the practice of film analysis further,in order to better understand the nature of the film and the eternal life experience and emotional expression.Through the comparative study on the film the myth of thinking of China and the United States in the new century,find out the hidden in the film the myth of the prototype and represent the original meaning,in China’s development prospects for movies indicate a possible direction.Writing of this article is from a new Angle of view that the Angle of mythical thinking in the movie the human demands and emotional patterns.First,this paper discusses the original origin,characteristics,nature and ways of thinking in myth,it is in such a deconstruction of reason,we can try to build a bridge between the external world and the gods.Second,under the two-way communication of things each card,reveal the mythical thinking by its gene inheritance and rooted in each of the collective unconscious,and draw the human emotion in art of common enrichment.Finally,using a macro view of probing myths in China and the United States under the process of convergence and diversity,learning for Chinese film and its homologous is more advanced than he provide a feasible way of Hollywood movies.