An Analysis Of The Musical Creation And Techniques Of‘Soul Plastic Pictures With Snow'

As a typical representative of Chinese national instrumental music,Erhu has a history of more than 1000 years since it was recorded in Tang Dynasty.It is close to the voice,the timbre is peaceful and melodious and full of rendering power,but delicate and subtle and magnificent.Erhu performing artists,represented by Liu Tianhua and A Bing,have made palace-style improvements to Erhu,making it gradually from the folk to the professional stage,and making Erhu one of the most important national musical instruments.Mr.Liu Wenjin,a famous contemporary national music composer in China,has created many excellent national music works.In the new historical period,he has inherited and developed the exploration of predecessors and created many classical excellent music works with profound traditional culture and vigorous times.Among them,"Soul Plastic Pictures with Snow" is an Erhu work with unique ingenuity.He blends the change of tone and color of major and minor tones of Western motive mode with the traditional five-tone mode and the multi-stage form of ethnic groups,endows music with more diversified changes,greatly enriches the expressive force of music,and thus receives the favor of more erhu performers.This paper is divided into four chapters.It is based on the background of the Long March of the Red Army.It analyses the background and significance of music creation.From the point of view of work analysis,this paper expounds the writing techniques of the combination of China and the West,the art s experience in the performance of works,and the thinking brought about by music performance.I hope that through my own analysis,under the full understanding of the composer's creative intentions and the emotions to be expressed in the repertoire,through my own playing practice,as well as the grasp and understanding of music,the performance of the works will reach a higher level.