Study On Singing Tune Of Luo Style Jingyundagu

Luo Style Jingyun Dagu is a traditional art in Beijing,Tianjin and Hebei.On the basis of inheriting the art of Liu,Bai and Shaobai style,the artistic features of were gradually formed in the 1940 s.The female vocal genre "Luo Style " pushes the art of it to a new peak and becomes a milestone of modern Jingyun Dagu.She put LiuStyle's vigor;Bai Style's charm is pure and beautiful,and the essence of the three style is selected according to its own voice conditions,which makes Luo Style's embark on the road of success and even extend to modern uniqueness.She became the only female singing genre in Jingyun Dagu.One of the feminization charms of the "Luo Style" is to elucidate its artistic potential of simple and implicit performance situation,and the overall artistic pursuit is also more concise poetry.Through the historical environment in which Luo Yusheng lived and the ideological trend of women's liberation movement after the 1911 Revolution in the early 20 th century,to explores the objective factors of the rise of Chinese female artists for the emergence,analyses the subjective factors of the success of Luo style.Through the analysis of Luo Style,such as "Jiange" and "Glorious Voyage",the works are analyzed by charts,language art,aria characteristics and artistic characteristics of Luo Style are discussed.The changes of the traditional and modern works of Luo Style are studied;It carries on the comparative analysis of the similar arias of the same works and different works,and further studies the form and significance of the only female voice that Luo Style formed under the historical conditions at that time,explores the fundamental reasons and analyses the important position and influence of Luo Style in the whole historical development process of Jingyun Dagu.