The Musicological Analysis Of Pipa Concerto The New Year's Sacrifice

Zhao Jiping is a famous contemporary Chinese musician.His music is rich in contents and varied in types.He is ranked as a "magic person in Chinese music circles".With strong personal style,national style and the style of the times,his works have played a very positive leading role in inheriting the tradition of Chinese national music and going to the world.In 1980,Zhao Jiping combined the tune of Qinqiang opera,a kind of Shanxi local opera,with the story clues of Lu Xun's literary work,created Pipa concerto The New Year's Sacrifice,promoting the development of Chinese national orchestra.This paper explains the background,elaborates the essence,reveals the influence and summarizes the experience with three chapters,aiming to explore the way and the approach to success for the future development of Chinese national orchestral music.The first chapter mainly introduces the general situation of this concerto,and outlines the composer Zhao Jiping and his Pipa concerto The New Year's Sacrifice.The second part as the main content of this paper,carries out a systematic and detailed analysis of the musical analysis to The New Year's Sacrifice from three aspects including secondary structure analysis,modal tonality and structure,the use of band in the concerto,making up for the lack of the research results in this respect.By deconstructing the details of the work,this paper separates its innovative characteristics from the music and lays the foundation for the sublimation of the research topic.Combining with the analysis of the music itself,it summarizes the relationship between the technique of playing and the expression of emotion,concludes the creation styles in terms of diversification of genre,literary theme and localization of music language and discusses its influence on the creation of contemporary Pipa.Finally,combining with the above researches of Pipa concerto The New Year's Sacrifice,the third part further summarizes the new ideas and inspirations for Zhao Jiping's future music creation and provides reference for the development of Chinese national music.