The Study Of Qinggong Daoguang's Actor

Chinese opera is a unique drama culture created by the Chinese nation.One of the reasons why Opera has strong vitality up to now is that there are still people who pass on the drama.As a whole,the scope and extent of the study of Qinggong Opera are being gradually refined and deepened.Since the modern times,the study of drama has gradually entered the public's field of view.This article,The author thinks that Qing Palace opera is not closed,but has a certain openness,so "study of daoguang's generation" mainly focus on daoguang's period of drama propagators,with daoguang's period of the court as the perspective of the daoguang's generation,the daoguang's period of promotion of the situation of the group,further understanding of the daoguang dynasty.This paper first part is the study of the performance mechanism of Qing Palace In this paper,the drama institutions of Qinggong plays are divided into former drama institutions of Daoguang dynasty and Daoguang dynasty,and the changes of drama institutions during this period are introduced.The second part is the study of the basic historical facts of the opera communicators in Daoguang,this part describes the approximate composition of the opera communicators in Daoguang,the general origin of the speakers and the relationship between the opera communicators.In the end,through the records of the performers 'activities in the Tang Dynasty,the author has a general understanding of the actors' daily management activities.Daoguang dynasty plays a key role in the study of the drama in the Qing dynasty history.Through the collation and research,it can also make a clear exploration of the role and effectiveness of the herder in the construction of social values in the Qing dynasty,and it is also of great significance to the construction of the protection of intangible cultural heritage in contemporary society.