Study On The Composition Technique Of Boulez "Messagesquiss"

The ‘Messagesuisse' which was composed by Boulez in 1976 is a work for the Solo Cello and six cello performances.It was a response to Rost Bo Vecchi's invitation who was a famous cellist from former Soviet Union.The work was composed for celebrating the 70 th birthday of Paul Sacher,who was a Swiss conductor and new music patron.Boulez employed the name of Sacher as the rule to convert the pitch and rhythm.Then a sixth sound column and six kinds of rhythm patterns can be obtained to form the core theme of the work.This paper combines the important techniques in Bretz's creation such as sequence technology,accidental technology and group technology in more than ten works such as Piano Sonata No.1,2 and 3,Structural I,II,Hammer without a Master,Heavy Folds and Spectrum Form,and bases on the method of sequence analysis combined with multi-angle emphasis,and transforms the theme of Sacher's personal name into that of this work.Six syllables and six rhythmic forms are deeply interpreted in the sequence combination logic of the works.The full text is divided into four chapters.Chapter 1: To sort out the techniques of Brez's important works such as Piano Sonata Series,Structure Series and Hammer without Master,and to analyze the evolution of his serial techniques in his creative?The second and third chapters are the core chapters of the full text,mainly for the micro-analysis of composing techniques.The second chapter is to analyze the six-tone column usage corresponding to Sacher's name in the work,and to summarize the vertical and horizontal relationship of pitch,sequential logic and structural force in the work through the analysis of collective thinking and sequential techniques.Chapter IV: The rhythm elements of the music composition of Guess are analyzed,and the usage of the rhythm sequence corresponding to Sacher's name in the works is discussed.Chapter IV: Summarize the main creative techniques of Guess,and sort out the relationship among pitch,rhythm,intensity and other elements from macro perspective,and the impact on the structure and layout of the whole work.This paper hopes to provide a basis for the creation of young composers by studying the sequential organization and structural logic of pitch and rhythm in this work.