On The "Slogan" In The Cultural Revolution Narrative Since The New Period

As an important political event in contemporary China,"cultural revolution" occupies an important position in contemporary literary narration.When the writer chooses "cultural revolution" as his narrative background,it can be found that for this special period,there has always been a very stable factor in it,which is the revolutionary discourse with the characteristics of "cultural revolution" slogan.If contemporary literature is an important carrier of the memory of "cultural revolution",then "slogan" is the link between literature and memory.For writers,the memory of "slogan",whether consciously or unconsciously,can be the starting point of their historical memory.As for the works,"slogan",as a language with strong political tendency,has a powerful symbolic function.The tension between slogan and daily language also constructs the artistic expression of "cultural revolution" themed text.This article is based on the writer's memory of "cultural revolution",Chapter?,illustrates the slogan of the cultural revolution in the basic narrative expression,the cultural revolution narrative of the slogan of "slogan" divided into words and express in words the slogan,in particular,"slogan" in the narrative of the cultural revolution often to "posters" and "revolutionary songs such as" the carrier,they are a form of performance,and has the features more individuality expression.Chapter?,From the perspective of semiotics,"slogan" as a "special" symbol,has the function of signifying and signifying.In the narration of the Cultural Revolution,the signification was first reflected in the segmentation of symbols.Different forms of symbols would lead to different classification of objects,and different slogans would also point to different groups of people ideologically,resulting in the hierarchical division of characters' identities.In this sense,the expression effect of the segmentation of slogans was formed.Secondly,the "truth value" of the symbol depends on the "slogan" spoken by the characters to wander between the expression of integrity and non-integrity,thus forming the distance between the self.Finally,in terms of the rhetoric of symbols,irony became the main signification means of the "slogan" in the narration of the cultural revolution and reflected the text expectations of different writers strangeness.Chapter?,the cultural revolution narrative is divided into three periods from1976 to 1984,from 1984 to 1993,and from 1993 to now.Through the narrative characteristics of the cultural revolution in different periods,the expression objects of the "slogan" of the cultural revolution in different periods are sorted out.After experiencing the emphasis of the expression of "slogan" from the "maker of suffering" to the "ugly Chinese",the slogan began to be personalized after 1993.The "slogan" issued for different characters can also be found that the author's view of history has been changing from "evolutionary history view" to "existential situation".Chapter?,three typical Spaces are selected in space.The first is the space of criticism meeting in public space.Under the public space represented by criticism meeting,the occurrence of slogan is related to the concentration of power.Followed by the private space of the domestic space and physical space,public landscape characteristics of "slogan" into the domestic space,caused the domestic space internal order in disorder,and even more intimate body space into a storage place of "slogan","the slogan" operate in physical space eventually lead to the inevitable is the end of the lack of faith.Finally,from the writing strategy of "slogan",the game between written "slogan" and daily "slogan" is behind the writing of "slogan".This conceals two dimensions,one is the difference between "slogan" as literary language and "slogan" as everyday language,and the other is the ups and downs between folk culture and political culture behind "slogan".